Today, I’m continuing the series, Writing a Middle
Grade Novel.
We
want our readers to be “there.” To feel the excitement, the wind, the joy, the
fear, and more in the journey of the character. Descriptive passages create an illusion. The
illusion of reality pulls the reader into the middle of the action and holds the reader there through the last page. Description is the image-making power
of the story. It engages the reader by making the characters and action seem
real.
The
setting may seem unimportant compared to character, plot, and voice, but
descriptive setting enhance the realism. In mysteries, frightful settings play
a critical role if sights, sounds, smells, taste, and touch are conveyed through
sensory details. Touch can send goosebumps down a reader’s spine if the
character is in a scary setting and something bumps
him. Fog or smoke can blur the character’s vision and make the setting
creepier or seem more dangerous. Portraying a specific locale with sensory
descriptors allows the writer to make a setting appear so real the reader can
almost step into the pages of the book.
In
Amazing Grace, I wrote:
Riding
shotgun suited me fine. I loved to perch in the front seat by the driver.
Besides, I was on the lookout for something. As
we rounded a curve on Route 23 past Louisa, a row of Burma Shave signs popped
into view. I read the signs to Johnny:
Don’t
stick
Your
elbow
Out
so far
It
might go home
In
another car.
In
writing this scene, my goal was to transport the reader back in time to some of
America’s first roadside billboards, the Burma Shave signs.
Next
week, I’ll give more tips on writing descriptive passages.
[I
will resume Call for Submissions for Young Writers in September.]
Call for Submissions for Adult Writers:
The Wolfe Pack's Black Orchid Novella Award. Recommended free contest gives
$1,000 and publication in Alfred Hitchcock's Mystery Magazine for the best
traditional mystery novella. Contest sponsor The Wolfe Pack is the official fan
club for Nero Wolfe, a legendary fictional sleuth created by Rex Stout in a
series of mystery novels published from 1934 to 1975. Entries should be
15,000-20,000 words. See website for thematic and stylistic restrictions. Essentially,
they are looking for an old-fashioned story of deduction, with a witty style
and an engaging relationship between the characters, and no explicit sex or
violence.
Deadline
May 31