Does the
writing zing? Word choice is crucial to voice, and voice is crucial to writing
that sparks imagination. Voice is the music of language that spurs on the story
and captures the reader’s interest. Zing can be small tingles or mighty zaps. A
variety of unexpected descriptions and snappy dialog create surprises for the
reader. When reading a sentence, if the reader can predict the finish (hungry
as a bear/white as snow) the writing is clichéd with no zap, not even a tingle.
Have I
chosen the best word, not merely a good word? Which of the following offers
more description: sat/plopped down. Both work, but “plopped down” provides more
detail and gives the reader more insight. Choosing the best word doesn’t mean
staying in constant contact with a thesaurus; instead, it means using the best
word to evoke emotion. Readers want to step into the world writers create and
experience the feelings/needs/desires of the characters. One technique to
induce that sentiment/reaction is to use strong verbs and show the action. Betty was scared tells how the character
felt. Betty’s hand trembled showed
her emotion in action. The second example also provides a mental visual. The
first does not. Visual images help a reader connect to the action and experience
the character’s feelings.
Call for
Submissions for Adult Writers:
FUN FOR KIDZ. We are looking for lively writing
that involves an activity that is both wholesome and unusual. The Ideal length
of a FUN FOR KIDZ nonfiction piece is up to 300-325 words for a one-page
magazine article or up to 600-650 words for a two-page magazine article.
Articles that are accompanied by strong high-resolution photos are far more
likely to be accepted than those requiring illustration.
Submission guidelines at http://funforkidzmagazines.com/ffk_guidelines
Nancy Kelly Allen has written 40+ children’s books and a cookbook,
SPIRIT OF KENTUCKY: BOURBON COOKBOOK.
You sure know how to make a story zing, for sure!
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