Attend to these details of a manuscript to give it a professional look, feel, and sound.
Punctuation, spelling, grammar. You have only one opportunity to make a great first impression. Don’t destroy that opportunity with a rushed manuscript filled with simple mistakes. Keep these in mind when writing the cover or query letter, also.
Create fresh and appealing similes and metaphors and avoid cliches, worn-out phrases.
Use age appropriate comparsions that match the subject of the text.
Rhyming text. If you write in rhyme, be true to meter and beat. Chances of publication are greater if you write in prose, rather than rhyme, unless you have mastered the art of meter, which is totally foreign to me.
Is the main character active in carrying the plot forward? The main character should be responsible for solving the problem or reaching the goal. Uncle Hamm or an older brother should not step in and save the character that is experiencing the trouble.
Stay consistent with the point of view. If one character has been telling the story, that character should continue to do so. Only change point of view characters with new chapters.
Voice: Is the voice Distinct? Consistent? Appropriate?
Authenticity. Are the facts correct? I strongly suggest including facts when writing fiction to make the story realistic and believable.
Competing books. Are numerous books on this subject available in the marketplace? With manuscripts, the greater the competition, the harder the sell. You will not come up with a unique idea but you need to put a fresh spin on the story to make it different from other books.
As far as rules for critique groups, I recommend the sandwich method of pointing out something positive, followed by something that needs to be fixed, followed by something positive. Writers need to know what works with readers as well as what needs revision.
In my next post, I will discuss voice in greater detail.
Calls for Submissions
2011 Muse Romance Summer Stories
Once Upon A Ghostly Beach
Think summer. Think relaxation, heading on a summer vacation with no thought of a love affair. Now think of the perfect vacation spot/resort/inn/ right up until mixed up reservations saddle you with a roommate. Characters don't have to be the perfect couple. We want the odd couple and how they resolve their relationship. Place it in any era. Give us a twist ending. Give us memorable characters. Hook us into their situation. But, put in an element of paranormal.
Word count: 3,000 - 5,000
Release date: Summer 2011
Deadline: October 30, 2010
Details at http://museituppubl ishing.com/ musepub/index. php?option= com_content& view=article&id=5&Itemid= 2
Hopscotch, a children’s magazine seeks nonfiction, fiction, columns/departments, fillers, photos/artwork. Subjects: Of interest to girls from 6 to 13 years. Pays on publication.
Details at http://funforkidzmagazines.com/hs_guidelines
Sunday, July 18, 2010
Sunday, July 11, 2010
Critiquing a Manuscript Part I, Contests, Call for Submissions
Writers benefit from new eyes reading their words. Feedback from others provide valuable information, especially if the feedback is from writers who understand what to look for in a manuscript. Those who are critiquing should look at a piece in two ways: the overall story and specific parts, also known as the big picture and the small picture.
Overall story evaluation includes character assessment: Are the characters believable? Does each character have unique traits, such as speaking differently? Feedback I recently received stated that two of my characters were too much alike. This problem can be fixed with revision.
Does the plot have a narrative arc? This means does it have a logical beginning, middle and ending? Does the ending tie up all the loose ends? Did the story come to a logical conclusion? A few days ago, a friend read one of my manuscripts. When she finished, she said, “Ooooh, definitely,” and explained the “Ooooh” was for the surprise element and the “definitely” for the logical conclusion. Revise your manuscript to make your story original by adding an element the reader does not expect, yet is logical.
Story structure. Are the length of the chapters and word choice appropriate for the age level of the intended reader?
Theme. Does the story have a theme? If not, the editor will probably say the piece is too slight. Is the theme didactic, too preachy? If so, lighten up with revision.
How does the story read? Is it engaging and fun or somber and tension-filled. Either works, as long as the story remains interesting.
I’ll discuss the specific parts or small picture critiques in my next blog.
Contests and Call for Submission
The Linda Bruckheimer Series in Kentucky Literature
Sarabande Books, a literary press, presents an opportunity to focus on the fine literature the state of Kentucky has produced, bringing it to the nation’s attention. Poetry, fiction, or essays (all genres compete together) about Kentucky or by Kentucky authors. Winner must agree to travel to readings within the state. You are eligible if you were born in Kentucky or have lived there for at least two years, or your book is set in or about Kentucky. Poetry manuscripts should be 48-100 single-spaced pages, prose manuscripts 150-250 double-spaced pages. No scholarly works, children's literature, or genre fiction.
Manuscripts must be postmarked during the month of July.
Details at http://www.sarabandebooks.org/?page_id=1188
Marie Alexander Poetry Series Contest
A prize of $500 and publication by Marie Alexander Poetry Series, an imprint of White Pine Press, will be given for a collection of prose poems by a U.S. poet. Submit a manuscript of at least 48 pages during the month of July. There is no entry fee. Send an SASE, e-mail, or visit the Web site for complete guidelines.
Marie Alexander Poetry Series, Book Contest, P.O. Box 5686, Louisville, KY 40255. Nickole Brown, Editor.
Deadline: July 31, 2010
Details at www.mariealexanderseries.com
Stone Soup, a magazine for children, pays on acceptance. Seeks nonfiction, fiction, fillers, photos/artwork. Subjects: Stories, poems, book review, art, for children up to age 13.
Details at http://www.stonesoup.com/stone-soup-contributor-guideline/
Overall story evaluation includes character assessment: Are the characters believable? Does each character have unique traits, such as speaking differently? Feedback I recently received stated that two of my characters were too much alike. This problem can be fixed with revision.
Does the plot have a narrative arc? This means does it have a logical beginning, middle and ending? Does the ending tie up all the loose ends? Did the story come to a logical conclusion? A few days ago, a friend read one of my manuscripts. When she finished, she said, “Ooooh, definitely,” and explained the “Ooooh” was for the surprise element and the “definitely” for the logical conclusion. Revise your manuscript to make your story original by adding an element the reader does not expect, yet is logical.
Story structure. Are the length of the chapters and word choice appropriate for the age level of the intended reader?
Theme. Does the story have a theme? If not, the editor will probably say the piece is too slight. Is the theme didactic, too preachy? If so, lighten up with revision.
How does the story read? Is it engaging and fun or somber and tension-filled. Either works, as long as the story remains interesting.
I’ll discuss the specific parts or small picture critiques in my next blog.
Contests and Call for Submission
The Linda Bruckheimer Series in Kentucky Literature
Sarabande Books, a literary press, presents an opportunity to focus on the fine literature the state of Kentucky has produced, bringing it to the nation’s attention. Poetry, fiction, or essays (all genres compete together) about Kentucky or by Kentucky authors. Winner must agree to travel to readings within the state. You are eligible if you were born in Kentucky or have lived there for at least two years, or your book is set in or about Kentucky. Poetry manuscripts should be 48-100 single-spaced pages, prose manuscripts 150-250 double-spaced pages. No scholarly works, children's literature, or genre fiction.
Manuscripts must be postmarked during the month of July.
Details at http://www.sarabandebooks.org/?page_id=1188
Marie Alexander Poetry Series Contest
A prize of $500 and publication by Marie Alexander Poetry Series, an imprint of White Pine Press, will be given for a collection of prose poems by a U.S. poet. Submit a manuscript of at least 48 pages during the month of July. There is no entry fee. Send an SASE, e-mail, or visit the Web site for complete guidelines.
Marie Alexander Poetry Series, Book Contest, P.O. Box 5686, Louisville, KY 40255. Nickole Brown, Editor.
Deadline: July 31, 2010
Details at www.mariealexanderseries.com
Stone Soup, a magazine for children, pays on acceptance. Seeks nonfiction, fiction, fillers, photos/artwork. Subjects: Stories, poems, book review, art, for children up to age 13.
Details at http://www.stonesoup.com/stone-soup-contributor-guideline/
Sunday, July 4, 2010
Perseverance, Part II, Zen story, Contest and Call for Submissions
An Old Zen Story:
The Zen master dipped a brush into paint. With swift flicks of the wrist, he trailed dazzling colors across the canvas. A young Zen student stood beside the master and watched.
As the painting grew more beautiful, the Zen student whispered, “Master, how do I learn to paint beautiful pictures?”
The master continued to paint.
Ten years later, the Zen student returned and said, “Thank you, Master.”
The Zen story resonated with me because to be a writer a person must write. Learning to write takes time. As with the Zen story, ten long years passed from the time I began writing professionally to the time I held my first book in my hands.
To adapt the lesson of the Zen master to writers, try the following: Write as often as possible.You may not have the time to devote to a manuscript every day, but write as often as time allows. Get the first draft of the story on paper; then begin revision. Novice writers often have great ideas and develop those ideas in interesting and innovative ways; however, they tend to submit a manuscript before it’s ready for professional publication. Editors state this as the major reason manuscripts are rejected.
When a manuscript is complete, revise, revise, revise. After it is the best you think you can make it, set the story aside for a minimum of one month and begin writing another manuscript. Give yourself time away from your story so you can return to it with less emotional attachment. Writing a new story also takes you mind off the first manuscript so when you reread it after a few weeks, you’re more likely to find elements that don’t work as well as you originally thought. Revise again.
Pass your manuscript to other writers for critiques. Again, revise, revise, revise. At this point select three to five publishers that accept unsolicited manuscripts of the type you have written. Submit the manuscript. I recommend selecting 3-5 because you may get feedback from an editor that will be useful in yet another revision.
Nothing about the process of preparing a manuscript for publication is fast. Remember, perseverance is the key to a successful writing career. As Aesop wrote long ago, “Slow and steady wins the race.”
I’ll discuss the process of critiquing a manuscript in my next post.
Contest and Call for Submissions
Real Simple’s Life Lessons Essay Contest
Finish this sentence: “I never thought I’d. . .”
Have you ever taken a huge, surprising risk? Did you climb a mountain? Go back to school? Get married (again)? Tell us about it: Enter Real Simple’s Third-Annual Life Lessons Essay Contest and you could have your essay published in Real Simple; win round-trip tickets for two to New York City, hotel accommodations for two nights, tickets to a Broadway play, and a lunch with Real Simple editors; and receive a prize of $3,000.
Deadline: September 24, 2010
Details at Life Lessons Essay Contest
Glamour "My Real-Life Story Essay Contest"
"If you have an inspiring story about a life changing event, an obstacle overcome, a relationship of passion that's defined you - then we want to read it! You may see your essay appear in an upcoming issue of Glamour...and you could win $5000 and a meeting with a top literary agent." For legal residents of the 50 United States and the District of Columbia.
Details at http://glamour.com/contest
Deadline: September 15, 2010
Cicada
CICADA (ages 14-23) has opened up submissions again through July 31.
They're wide open to all genres, with a special interest in humor.
Details at http://www.cricketmag.com. Click on Contact Us, then scroll down to Submission Guidelines and go to Cicada.
The Zen master dipped a brush into paint. With swift flicks of the wrist, he trailed dazzling colors across the canvas. A young Zen student stood beside the master and watched.
As the painting grew more beautiful, the Zen student whispered, “Master, how do I learn to paint beautiful pictures?”
The master continued to paint.
Ten years later, the Zen student returned and said, “Thank you, Master.”
The Zen story resonated with me because to be a writer a person must write. Learning to write takes time. As with the Zen story, ten long years passed from the time I began writing professionally to the time I held my first book in my hands.
To adapt the lesson of the Zen master to writers, try the following: Write as often as possible.You may not have the time to devote to a manuscript every day, but write as often as time allows. Get the first draft of the story on paper; then begin revision. Novice writers often have great ideas and develop those ideas in interesting and innovative ways; however, they tend to submit a manuscript before it’s ready for professional publication. Editors state this as the major reason manuscripts are rejected.
When a manuscript is complete, revise, revise, revise. After it is the best you think you can make it, set the story aside for a minimum of one month and begin writing another manuscript. Give yourself time away from your story so you can return to it with less emotional attachment. Writing a new story also takes you mind off the first manuscript so when you reread it after a few weeks, you’re more likely to find elements that don’t work as well as you originally thought. Revise again.
Pass your manuscript to other writers for critiques. Again, revise, revise, revise. At this point select three to five publishers that accept unsolicited manuscripts of the type you have written. Submit the manuscript. I recommend selecting 3-5 because you may get feedback from an editor that will be useful in yet another revision.
Nothing about the process of preparing a manuscript for publication is fast. Remember, perseverance is the key to a successful writing career. As Aesop wrote long ago, “Slow and steady wins the race.”
I’ll discuss the process of critiquing a manuscript in my next post.
Contest and Call for Submissions
Real Simple’s Life Lessons Essay Contest
Finish this sentence: “I never thought I’d. . .”
Have you ever taken a huge, surprising risk? Did you climb a mountain? Go back to school? Get married (again)? Tell us about it: Enter Real Simple’s Third-Annual Life Lessons Essay Contest and you could have your essay published in Real Simple; win round-trip tickets for two to New York City, hotel accommodations for two nights, tickets to a Broadway play, and a lunch with Real Simple editors; and receive a prize of $3,000.
Deadline: September 24, 2010
Details at Life Lessons Essay Contest
Glamour "My Real-Life Story Essay Contest"
"If you have an inspiring story about a life changing event, an obstacle overcome, a relationship of passion that's defined you - then we want to read it! You may see your essay appear in an upcoming issue of Glamour...and you could win $5000 and a meeting with a top literary agent." For legal residents of the 50 United States and the District of Columbia.
Details at http://glamour.com/contest
Deadline: September 15, 2010
Cicada
CICADA (ages 14-23) has opened up submissions again through July 31.
They're wide open to all genres, with a special interest in humor.
Details at http://www.cricketmag.com. Click on Contact Us, then scroll down to Submission Guidelines and go to Cicada.
Sunday, June 27, 2010
Perseverance Part 1, Famous Writers' Rejections, Calls for Submissions
Perseverance is that catch-all word that means commitment, hard work, patience, and endurance. These qualities improve the job performance of many workers, and writers are no exception. For most writers no shortcuts exist in the publishing business. A writer has to hone writing skills. The best way to learn to write is to do just that, write. And read other authors’ works. Writing and reading take time, perseverance. Also, a writer needs to learn the market in order to submit the manuscripts. What types of manuscripts do particular publishers want? Spend time figuring out which publishers develop books similar to the manuscript you’ve written. After you ship out one story, begin another. If you keep at this, your writing will improve, you’ll have a good grasp of what books are already in the marketplace, and you’ll learn the editorial needs of various publishers.
Above all, understand that your work will get rejected. Most writers get manuscripts rejected, even those with years of experience and a shelf full of books with their names on the covers. Rejection is part of the growth of a writer.
It’s easy to become discouraged when every story shipped out is shipped back. The following list of books and the number of times they were rejected add perspective to the importance of perseverance.
And To Think That I Saw It on Mulberry Street by Dr. Seuss, 27 rejections.
Carrie by Stephen King; 30+ rejections.
Chicken Soup for the Soul by Jack Canfield and Mark Victor Hansen, 140 rejections. [See what perseverance can do?]
A Time to Kill by John Grisham, 45 rejections.
Gone with the Wind by Margaret Mitchell, 38 rejections.
Jonathan Livingston Seagull by Richard Bach, 18 rejections.
A Wrinkle in Time by Madeleine L’Engle, 26 rejections.
Lord of the Flies by William Golding, 20 rejections.
Harry Potter and the Sorcerer’s Stone by J.K. Rowling, 12 rejections.
David Baldacci received rejections for 15 years.
The reason these famous writers are published is because they persevered.
Check out next week’s blog for part II of this article.
Calls for Submissions
Nashville Review publishes the best in literary fiction, poetry, nonfiction, and comics. Both distinguished and emerging writers are encouraged to submit.
Fiction Guidelines: We welcome flash fiction, short stories, and novel excerpts of up to 8,000 words. No genre or children’s fiction.
Poetry Guidelines:Up to five poems may be submitted at a time.
Nonfiction Guidelines:Creative nonfiction only, please.
Details at http://www.vanderbilt.edu/english/nashvillereview/submit.
“The Last 72″ Writing Contest
What would you do if you were told you had only 72 hours to live?
Share your real stories and be a part of a life-changing social experiment!
Everest Productions together with The Fountain: Magazine of Scientific and Spiritual Thought, are searching for 13 winners who will get to appear in a brand-new TV series, receive up to $5,000 in cash prizes and more.
Live life like it really matters.
Guidelines:
Participants in the writing contest and The Last 72 TV show must be 18 or older.
Your entries must be 1,000-1,500 words written in English.
Express your own experiences and intentions and not the idea from another work of fiction. Move readers with its originality and your unique personality. Describe actions that you could realistically achieve in 3 days.
Send your 1,000-1,500 words entries to contest@last72.com
Deadline: JULY 30, 2010.
Above all, understand that your work will get rejected. Most writers get manuscripts rejected, even those with years of experience and a shelf full of books with their names on the covers. Rejection is part of the growth of a writer.
It’s easy to become discouraged when every story shipped out is shipped back. The following list of books and the number of times they were rejected add perspective to the importance of perseverance.
And To Think That I Saw It on Mulberry Street by Dr. Seuss, 27 rejections.
Carrie by Stephen King; 30+ rejections.
Chicken Soup for the Soul by Jack Canfield and Mark Victor Hansen, 140 rejections. [See what perseverance can do?]
A Time to Kill by John Grisham, 45 rejections.
Gone with the Wind by Margaret Mitchell, 38 rejections.
Jonathan Livingston Seagull by Richard Bach, 18 rejections.
A Wrinkle in Time by Madeleine L’Engle, 26 rejections.
Lord of the Flies by William Golding, 20 rejections.
Harry Potter and the Sorcerer’s Stone by J.K. Rowling, 12 rejections.
David Baldacci received rejections for 15 years.
The reason these famous writers are published is because they persevered.
Check out next week’s blog for part II of this article.
Calls for Submissions
Nashville Review publishes the best in literary fiction, poetry, nonfiction, and comics. Both distinguished and emerging writers are encouraged to submit.
Fiction Guidelines: We welcome flash fiction, short stories, and novel excerpts of up to 8,000 words. No genre or children’s fiction.
Poetry Guidelines:Up to five poems may be submitted at a time.
Nonfiction Guidelines:Creative nonfiction only, please.
Details at http://www.vanderbilt.edu/english/nashvillereview/submit.
“The Last 72″ Writing Contest
What would you do if you were told you had only 72 hours to live?
Share your real stories and be a part of a life-changing social experiment!
Everest Productions together with The Fountain: Magazine of Scientific and Spiritual Thought, are searching for 13 winners who will get to appear in a brand-new TV series, receive up to $5,000 in cash prizes and more.
Live life like it really matters.
Guidelines:
Participants in the writing contest and The Last 72 TV show must be 18 or older.
Your entries must be 1,000-1,500 words written in English.
Express your own experiences and intentions and not the idea from another work of fiction. Move readers with its originality and your unique personality. Describe actions that you could realistically achieve in 3 days.
Send your 1,000-1,500 words entries to contest@last72.com
Deadline: JULY 30, 2010.
Sunday, June 20, 2010
The Funny Business of Writing Humor for Kids, Part III, Contests
Today’s blog is part III of my article, The Funny Business of Writing Humor for Kids.
Knowing the sensibilities of the audience is imperative to a writer, especially when writing humor. Young readers use books to help discover the world around them, so the more we know about young readers, the better we can develop the humor in our writing.
Humor should not the focus of a story. The story is a vehicle to make readers think and feel. A story without a purpose is probably going to fall flat, with or without humor.
So how do we infuse humor into a story? When I wrote, The Munched-Up Flower Garden, I wrote the basic story first. In revision, I added the humor. I also wrote in first person so I could flavor the story from beginning to end with the character’s attitude and feelings.
Don’t try to make every character and every word in the dialog funny. One funny character or comment will carry the entire scene.
Watch comedians. They set up the humorous situation and the punch line comes at the end of the joke. Use this technique to end the sentence or paragraph with humor.
Read humorous books written for children at various age levels. Compare how the humor is similar or different among the books and the age groups.
Keep the characters realistic to the story. Even those who inject comic relief have to be developed so the readers will care about what happens to them.
Talk with children. Observe them telling stories and laughing. Notice what action or event or words make them laugh. Play with words and sounds. Make your writing business funny business.
SPS Studios-- Sixteenth Biannual Poetry Card Contest
In addition, the winning poems will be displayed on our website.
Poetry Contest Guidelines:
1. Poems can be rhyming or non-rhyming, although we find that non-rhyming poetry reads better.
2. We suggest that you write about real emotions and feelings and that you have some special person or occasion in mind as you write.
3. Poems are judged on the basis of originality and uniqueness.
4. English-language entries only, please.
5. Enter as often as you like!
1st prize: $300 * 2nd prize: $150 * 3rd prize: $50
Deadline: June 30, 2010
Details at http://www.sps.com/poetry/index.html
Cheerios Contest
Only writers who have never been paid for their writing are allowed to enter. Only US writers from one of the 50 states (or DC) can apply. Must be 18 or older.
Picture book story. Grand prize -- $5000, Runner Up Prizes -- $1000
Entry Deadline: July 15th.
Details at http://www.spoonfulsofstoriescontest.com/.
Knowing the sensibilities of the audience is imperative to a writer, especially when writing humor. Young readers use books to help discover the world around them, so the more we know about young readers, the better we can develop the humor in our writing.
Humor should not the focus of a story. The story is a vehicle to make readers think and feel. A story without a purpose is probably going to fall flat, with or without humor.
So how do we infuse humor into a story? When I wrote, The Munched-Up Flower Garden, I wrote the basic story first. In revision, I added the humor. I also wrote in first person so I could flavor the story from beginning to end with the character’s attitude and feelings.
Don’t try to make every character and every word in the dialog funny. One funny character or comment will carry the entire scene.
Watch comedians. They set up the humorous situation and the punch line comes at the end of the joke. Use this technique to end the sentence or paragraph with humor.
Read humorous books written for children at various age levels. Compare how the humor is similar or different among the books and the age groups.
Keep the characters realistic to the story. Even those who inject comic relief have to be developed so the readers will care about what happens to them.
Talk with children. Observe them telling stories and laughing. Notice what action or event or words make them laugh. Play with words and sounds. Make your writing business funny business.
SPS Studios-- Sixteenth Biannual Poetry Card Contest
In addition, the winning poems will be displayed on our website.
Poetry Contest Guidelines:
1. Poems can be rhyming or non-rhyming, although we find that non-rhyming poetry reads better.
2. We suggest that you write about real emotions and feelings and that you have some special person or occasion in mind as you write.
3. Poems are judged on the basis of originality and uniqueness.
4. English-language entries only, please.
5. Enter as often as you like!
1st prize: $300 * 2nd prize: $150 * 3rd prize: $50
Deadline: June 30, 2010
Details at http://www.sps.com/poetry/index.html
Cheerios Contest
Only writers who have never been paid for their writing are allowed to enter. Only US writers from one of the 50 states (or DC) can apply. Must be 18 or older.
Picture book story. Grand prize -- $5000, Runner Up Prizes -- $1000
Entry Deadline: July 15th.
Details at http://www.spoonfulsofstoriescontest.com/.
Sunday, June 13, 2010
The Funny Business of Writing Humor for Kids, Part II, Calls for Submissions/Contest
I’m pleased, make that thrilled, Woohoo!! to announce that my latest picture book, Trouble in Troublesome Creek, has been selected to represent Kentucky at the National Book Festival in Washington, D.C. this fall. The National Book Festival is organized and sponsored the Library of Congress. One book per state is selected for this honor.
Since most students are out of school for the summer, I will not post student activities until September.
Today’s blog features part II of my article, The Funny Business of Writing Humor for Kids.
As children develop language skills, the humor of rhymes and nonsense words make them laugh. Preschool aged kids are attuned to the sound of words. They enjoy the playful sound of repeated variations of a word—catty, batty, fatty. Calling a familiar word by the wrong name, such as referring to the nose as an ear, is just downright funny to them. They also find misplacement of a body parts comical—a dog with two legs up and two legs down or a donkey’s head on a turtle’s body. Exaggeration is laughable to this group—a car that is too long or too tall, oversized eyes, or a basketball for a head. They also find impossible behavior funny—a cow jumping over the moon, a talking dog, or a snake that wears underwear. Rhymes, alliteration, and rhythmic text please them.
When kids enter school, they still love wordplay, exaggeration, and physical or slapstick humor. They also enjoy simple riddles and jokes, especially potty humor, and rhyming and nonsense words. Dr. Seuss books are a hit.
Older kids, seven and up, have a better grasp of the language. They love jokes, riddles and other brainteasers, puns, and potty humor. This is the age when chapter books and middle-grade novels are devoured on various subjects. By age eleven, children gain a better understanding of complex literary devices and appreciate humor in irony and sarcasm.
Part III will be posted in next week’s blog.
Calls for Submissions and Contest:
Chicken Soup for the Soul: New Moms
Becoming a new mom is the most amazing experience. From the moment, that baby is placed in your arms; there is an incredible feeling only a new mother can know. This book celebrates the physical, emotional, and spiritual experience of having a child and creating a family. We are looking for heartwarming, insightful, and humorous stories about raising babies and toddlers that share with our readers the wonders of early motherhood. Stories should not extend past the toddler years. Written in the first person of no more than 1,200 words. If you have already submitted a story to our New Moms database, please do not submit it again. We have it. You will retain the copyright for your story and you will retain the right to resell it.
Pay: $200 plus 10 books
Deadline is July 31, 2010.
Submissions go to http://chickensoup.com
Nature Friend
Perhaps your children or family are doing something nature-related. If so, write the story and tell us. Fiction is also okay. We need stories about nature, as well as article and essays. The stories are the fewest, so we are glad when stories come.
Details at http://www.naturefriendmagazine.com/
Highlights has posted a list of current manuscript needs.
Details at http://www.highlights.com/current-needs.
Knock Our Hats Off Contest
Submit up to 3,000 words of fiction or 1-3 poems. $250 for the winner in each category and publication in Mad Hatters' Review. All winning entries will be published in a print anthology called “Knock Our Hats Off: A Little Book of Curious Delights.” Each winner will receive a copy of this deluxe collector’s item.
Deadline: June 30.
Details at http://www.madhattersreview.com/contest.shtml
Since most students are out of school for the summer, I will not post student activities until September.
Today’s blog features part II of my article, The Funny Business of Writing Humor for Kids.
As children develop language skills, the humor of rhymes and nonsense words make them laugh. Preschool aged kids are attuned to the sound of words. They enjoy the playful sound of repeated variations of a word—catty, batty, fatty. Calling a familiar word by the wrong name, such as referring to the nose as an ear, is just downright funny to them. They also find misplacement of a body parts comical—a dog with two legs up and two legs down or a donkey’s head on a turtle’s body. Exaggeration is laughable to this group—a car that is too long or too tall, oversized eyes, or a basketball for a head. They also find impossible behavior funny—a cow jumping over the moon, a talking dog, or a snake that wears underwear. Rhymes, alliteration, and rhythmic text please them.
When kids enter school, they still love wordplay, exaggeration, and physical or slapstick humor. They also enjoy simple riddles and jokes, especially potty humor, and rhyming and nonsense words. Dr. Seuss books are a hit.
Older kids, seven and up, have a better grasp of the language. They love jokes, riddles and other brainteasers, puns, and potty humor. This is the age when chapter books and middle-grade novels are devoured on various subjects. By age eleven, children gain a better understanding of complex literary devices and appreciate humor in irony and sarcasm.
Part III will be posted in next week’s blog.
Calls for Submissions and Contest:
Chicken Soup for the Soul: New Moms
Becoming a new mom is the most amazing experience. From the moment, that baby is placed in your arms; there is an incredible feeling only a new mother can know. This book celebrates the physical, emotional, and spiritual experience of having a child and creating a family. We are looking for heartwarming, insightful, and humorous stories about raising babies and toddlers that share with our readers the wonders of early motherhood. Stories should not extend past the toddler years. Written in the first person of no more than 1,200 words. If you have already submitted a story to our New Moms database, please do not submit it again. We have it. You will retain the copyright for your story and you will retain the right to resell it.
Pay: $200 plus 10 books
Deadline is July 31, 2010.
Submissions go to http://chickensoup.com
Nature Friend
Perhaps your children or family are doing something nature-related. If so, write the story and tell us. Fiction is also okay. We need stories about nature, as well as article and essays. The stories are the fewest, so we are glad when stories come.
Details at http://www.naturefriendmagazine.com/
Highlights has posted a list of current manuscript needs.
Details at http://www.highlights.com/current-needs.
Knock Our Hats Off Contest
Submit up to 3,000 words of fiction or 1-3 poems. $250 for the winner in each category and publication in Mad Hatters' Review. All winning entries will be published in a print anthology called “Knock Our Hats Off: A Little Book of Curious Delights.” Each winner will receive a copy of this deluxe collector’s item.
Deadline: June 30.
Details at http://www.madhattersreview.com/contest.shtml
Sunday, June 6, 2010
The Funny Business of Writing Humor for Kids, Contests
How much did the pirates pay for their earrings?
A buccaneer
Want to capture a kid’s attention and hold it with your writing? Try adding humor to your text. Today’s blog is part I of my article, The Funny Business of Writing Humor for Kids.
Kids love stories that make them laugh. Editors and parents love stories that make kids laugh. Humor is that delightful element that makes a story funny, but writing humor is serious business.
To create humorous stories for children, writers must consider the age-appropriate stages of humor in the development of children. A story that makes a four-year-old laugh may not be funny to a second grader. Humor is subjective and personal, and although everyone has an opinion of what is funny, the type of humor that connects with a child changes as the child grows older.
Babies, six months and older, laugh at silly actions, faces, and sounds. As writers, when we translate this to books, we can make human characters walk like a monkey, hang socks from ears to look like a dog, or moo like a cow to create a humorous book. Notice how parents interact with babies to get them to laugh. If the activity works for babies in real life, it will probably work for them in a book. The human character is doing something unexpected so it’s funny.
Parts II and III of this article will follow in my next two blogs.
Science in My Fiction contest!
Authors write a science fiction or fantasy short story which is inspired by a scientific discovery or innovation made or announced within the past year. It can’t be peripherally added: the science must be integral to the story. Writers must include a link to a relevant article or study of the applied science when they submit their stories.
We’ll be looking for thoughtful, creative and well-researched application of science to a story. This doesn’t mean you should neglect your plot or characters, though! The best entries will be those which use science to enhance the plot, setting and characters, rather than dominate them.
Details at http://crossedgenres.com/simf/contest/
Deadline: June 30.
Trajectory Short Story Contest
Trajectory, a new Kentucky literary journal, is launching with a short story contest. The winner will receive $250. Submit original, unpublished work of no more than 10,000 words with a cover letter containing contact information. Trajectory is also accepting non-contest short stories and poems. More info, contact Trajectory, PO Box 655, Frankfort, KY 40602.
Deadline: July 1.
A buccaneer
Want to capture a kid’s attention and hold it with your writing? Try adding humor to your text. Today’s blog is part I of my article, The Funny Business of Writing Humor for Kids.
Kids love stories that make them laugh. Editors and parents love stories that make kids laugh. Humor is that delightful element that makes a story funny, but writing humor is serious business.
To create humorous stories for children, writers must consider the age-appropriate stages of humor in the development of children. A story that makes a four-year-old laugh may not be funny to a second grader. Humor is subjective and personal, and although everyone has an opinion of what is funny, the type of humor that connects with a child changes as the child grows older.
Babies, six months and older, laugh at silly actions, faces, and sounds. As writers, when we translate this to books, we can make human characters walk like a monkey, hang socks from ears to look like a dog, or moo like a cow to create a humorous book. Notice how parents interact with babies to get them to laugh. If the activity works for babies in real life, it will probably work for them in a book. The human character is doing something unexpected so it’s funny.
Parts II and III of this article will follow in my next two blogs.
Science in My Fiction contest!
Authors write a science fiction or fantasy short story which is inspired by a scientific discovery or innovation made or announced within the past year. It can’t be peripherally added: the science must be integral to the story. Writers must include a link to a relevant article or study of the applied science when they submit their stories.
We’ll be looking for thoughtful, creative and well-researched application of science to a story. This doesn’t mean you should neglect your plot or characters, though! The best entries will be those which use science to enhance the plot, setting and characters, rather than dominate them.
Details at http://crossedgenres.com/simf/contest/
Deadline: June 30.
Trajectory Short Story Contest
Trajectory, a new Kentucky literary journal, is launching with a short story contest. The winner will receive $250. Submit original, unpublished work of no more than 10,000 words with a cover letter containing contact information. Trajectory is also accepting non-contest short stories and poems. More info, contact Trajectory, PO Box 655, Frankfort, KY 40602.
Deadline: July 1.
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