Writing a Book with a Relatable Theme

The theme is the dominant idea of a book, the author’s statement on which the story hangs. It is often expressed as the character’s learned experience, such as friendship, hope, love, sacrifice, or good over evil. Think of it as the main topic at the center of the story.

When I’m developing a story plot, I don’t think about theme. Instead, I focus on telling the story. If the theme becomes dominate at that stage of the writing process, it may force the characters into actions for the sake of the theme, rather than the plot.

After I finish the first, sometimes the second or third draft, I usually develop a feeling of the theme that lies between the lines of the story. In Forty Winks, a bedtime story, multiple themes exist: fear of the dark, fear of monsters, benefits of sharing. The themes evolved from the story line, rather than the writing adhering to a particular message. When we write to promote a particular message, the story often becomes didactic, too instructive. My first rule for writing a fictional picture book is to focus on the entertainment value.

I also ask the following questions:

Is the theme relatable with wide appeal? Publishers want books that resonate with a large audience or age group. If a child enjoys a book and can “see” himself in the story, he wants to read it again, or another similar book.

Is the theme an issue that’s important in the child’s world? Children often fear the dark, want to adopt a pet, or play with a friend. Consider the age of the audience before writing the first word. Themes vary with age groups. Fitting into a social group is a viable theme for middle grade and young adult readers, but don’t work as well for preschoolers.

A theme is expressed through the ideas, thoughts, and actions of the character and is what the character learns in the journey of the story.

Call for Submissions for Young Writers:

Hanging Loose magazine. High School Submissions.

Since 1968, every issue of Hanging Loose has had a section of high school writing. We’re always looking for new writers. Here’s how to submit your work:

* Send all work to High School Editor, Hanging Loose, 231 Wyckoff Street, Brooklyn, NY 11217. Please also send us a note identifying yourself as a high school age writer, and telling us your age. Include an email address—and include a self-addressed stamped envelope with sufficient return postage. Otherwise, your submission cannot be returned. Be sure your name and address appear on each page of your work.

* Send up to six poems or short stories, or an equivalent combination of poetry and prose.

Hanging Loose has long been known for its special interest in new writers. We read manuscripts throughout the year and we look forward to reading yours.

Submissions guidelines at http://hangingloosepress.com/submissions.html 

Call for Submissions for Adult Writers:

Nature Friend. "Nature-loving children and families get Nature Friend. We are primarily about wild nature. Can be animals, plants, birds, insects, rocks, ocean life, astronomy, gardening, learning by doing activities and experiments." Welcomes new writers. Circ. 7500. Monthly. Pays on publication. Period between acceptance and publication varies. Buy first rights. Accepts reprints. Responds quickly. Sample articles on website.

Submissions guidelines at  https://www.naturefriendmagazine.com/index.pl?linkid=12;class=gen.

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Leave a message or check out my blog at www.nancykellyallen.com

 

How to Get Published, Condensed Version

At almost every book signing, someone tells me s/he is writing a children’s book and asks how to get it published. The question seems simple, but the answer is extremely complicated, much too complicated to answer in a short discussion. I usually refer the writer to Children’s Writer’s and Illustrator’s Market because it is a comprehensive book with how-to information and contains a listing of publishers with submission guidelines. I still use this book as a source, but one of several sources. 

As with many occupations, writing involves a period of practice and growth, so give yourself time to hone those skills and learn the craft. One of the best ways to accomplish this is to read lots of books in the genre in which you write. If you are primarily interested in picture books, go to your local library and choose those that have been written in the past five years. Read a minimum of 100. Yes, you read that number correctly. I’ve read thousands. In the last six weeks, I’ve read over 100, some more than once to analyze the structures or word choices.  

Attend writing workshops and conferences to learn the basic mechanics of writing.  

So now you’ve read, read, read and attended workshops. It’s time to practice. Write. Write. Write. Reading, workshops, and writing serve as the three best ways to an apprenticeship, a learning period. 

If you don’t have the means to attend conferences and workshops, check out free online courses. They pop up all the time. Writing newsletters offer excellent guidance. Books on the writing process are probably at your local library or bookstore. Read them. Study them. 

Join a local writers’ group, if possible. Every member benefits from the collective knowledge. After all, you’ll keep learning long after your first book is published. An apprenticeship is a lifelong adventure for a writer.

Call for Submissions for Young Writers:

Stone Soup welcomes submissions by children aged 13 and younger. Now we are a digital magazine, we no longer have a limit on the length of a story. However, we find that we tend to gravitate toward shorter stories. While we may publish one 10-page story in an issue of Stone Soup, most of the stories we publish are shorter, between 1,000 and 2,000 words (4 to 8 pages).

There is no minimum length—we have published stories that are less than a page!

Submission guidelines https://stonesoup.com/how-to-submit-writing-and-art-to-stone-soup/ 

Call for Submissions for Adult Writers:

CICADA is a YA lit/comics magazine fascinated with the lyric and strange and committed to work that speaks to teens’ truths. We publish poetry, realistic and genre fic, essay, and comics by adults and teens. (We are also inordinately fond of Viking jokes.) Our readers are smart and curious; submissions are invited but not required to engage young adult themes. CICADA does not distribute theme lists for upcoming issues.

Submission guidelines: http://cricketmedia.com/cicada-submission-guidelines 

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com