I’ve Finished My Manuscript, Now What? Part 1

A few times each month, beginning writers contact me asking for directions, primarily, what to do after they finish their manuscripts. First of all, congratulations are in order. Finishing a manuscript is no small task. 

My initial reaction is to advise the writers to do nothing with the manuscript for a month or so, and in the meantime, begin another writing project and find a critique partner to read the manuscript and offer feedback.

After revising the manuscript and polishing it, make a submission list of appropriate publishers. If a publisher doesn’t accept unsolicited manuscripts or accepts only middle grade and young adult, sending a picture book will garner nothing but a rejection. The goal is to submit to a particular editor or agent. Writers need an individual who will love the work and promote it within the publishing house or literary agency.

Editors and what they are looking for in manuscripts can be found in  Children’s Writer’s & Illustrator’s Market, a book that is sold or can be ordered at bookstores or online. Guide to Literary Agents is another source if you choose to go the agent route.

In my next blog, I’ll continue with more tips on marketing a manuscript.

Call for Submissions for Adult Writers:

SPIDER, a literary magazine for children, features fresh and engaging literature, poems, articles, and activities for newly independent readers. Editors seek energetic, beautifully crafted submissions with strong “kid appeal” (an elusive yet recognizable quality, often tied to high-interest elements such as humor, adventure, and suspense).  

Submission guidelines at http://cricketmedia.com/spider-submission-guidelines

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

Working Together

In a literacy meeting, I heard an African proverb that resonated with me: If you want to go fast, go alone. If you want to go far, go together. 

I’m dedicating my first blog post of 2018 to my critique partner, Sandi Underwood, who has enriched my writing over the years. With her keen eye, writing experience, and willingness to help, my writing journey has taken me farther, much farther, than if I trekked alone.  

She is invaluable to me because she questions my work. If all the feedback I receive is positive, I won’t grow as a writer and won’t learn to create stronger stories. Editors will certainly find holes, actually wide gaps, if my eyes are the only look-see my words get prior to submitting to a publisher. My critique partner not only points out what does not work but what works well. I need to know both. Her feedback offers an objective review of my draft, an evaluation of its suitability for the age group, and most importantly, it allows me to “see” my work from another perspective, and a qualified perspective, at that. 

I almost never follow-up with an explanation of why I wrote something the way I did. If she didn’t understand it or the writing was cumbersome on her first read, it will be the same for an editor or a reader. She has my trust, so if she isn’t grasping the flow and rhythm, neither will the gatekeepers. 

In turn, I evaluate her work, which is as valuable to me as receiving a critique. I’m forced out of my comfort zone by engaging in her story and analyzing the many components. 

Regardless of where you are on your writing journey, a knowledgeable critique partner can take you far. Attend writing workshops and conferences to find people who understand the genre in which you write and are interested in working together toward a common goal. 

Sandi, thanks for traveling this literary journey with me!   

Call for Submissions for Young Writers:

Sprout. Our vision is to have a space where young minds can share their thoughts and opinions about society through creative expression. Sprout is a nonprofit, online literary journal for teens, by teens—we look to publish creative media that demonstrates awareness of the world and social commentary, sharing art in its purest, rawest form.

Submission guidelines at http://www.sproutmagazine.org/submission-rules.html

Call for Submissions for Adult Writers:

Upworthy reaches a massive audience with meaningful stories every day, and we're looking for original stories that support our mission of creating a better world. That's where you come in. We're currently accepting pitches from freelancers for stories that are:

• Surprising
  Is the topic, narrative, character, or outcome something truly new?
• Meaningful
  If a million people saw this story, would it make the world a better place?
• Visual
  Are there enough visual elements to engage readers who might be skimming on a phone?
• Shareable
  Would you share it? Would your friends share it? Most importantly, would your mom's friend share it?

Submission guidelines at http://www.upworthy.com/pitch-us

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

 

How to Stay Motivated, part 2

The number one way to stay motivated is to find positivity in writing. For some, that means satisfying feedback from critiques, a compliment from someone who has read your work, or the ultimate: a contract that leads to seeing your work in print. 

My critique partner, the awesome Sandi Underwood, and I are in the fortunate positions of completing revisions for books that will be published next year. Along with editorial notes are the myriad emotions that accompany the task at hand: elation (I’m beyond thrilled.); doubt (Can I actually rewrite this manuscript on a professional level?); fear (What if I fail? I’ve already told people the book is in production.); confidence (Yes, I can. Yes, I will!); and more too numerous to list, plus completing the revision with a deadline looming. Underlying the mixed emotions is this powerful drive called motivation (deadlines will give even the most reluctant writer a huge dose of get-up-and-go).

Sandi and I work together on our manuscripts all the time, but each of us working at the same time on final revisions for forthcoming books is uncharted territory. The big positive here is that we’re more excited than ever. She’s helping me. I’m helping her (I hope). 

Positive moments in a writer’s life create motivation, a yearning to push a little harder, a little farther down the path to publication. 

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com 

Call for Submissions for Young Writers:

One Teen Story publishes 4 stories a year and accepts submissions from teen writers ages 13-19.

Submissions are now open. What kind of stories is One Teen Story looking for?

One Teen Story is looking for great short stories written by teens about the teen experience. We seek stories that deal with issues of identity, friendship, family, and coming-of-age. Gratuitous profanity, sex and drug use are best avoided. We’re open to all genres of well-written young adult fiction between 2,000 and 4,500 words. Because of our format, we can only accept stories that are strong enough to stand alone (as opposed to excerpts from novels-in-progress). Proof of the author’s age will be required for all stories accepted for publication.

Submission guidelines at http://www.one-story.com/index.php?page=submit&pubcode=ots 

Call for submissions for Adult Writers:

ASK: Ages 6-9. Nonfiction magazine with a focus on science and the world. Each edition centers around a specific theme. Focus on engaging nonfiction, not dry text. Humor, unusual questions. and unexpected connections are encouraged. All articles are commissioned. Query first with resume and writing samples. Feature articles:  900-1600 words. Humor pieces: 200-400 words. http://www.cricketmag.com/19-Submission-Guidelines-for-ASK-magazine-for-children-ages-6-9

Submission guidelines at

https://www.google.com/?gws_rd=ssl#q=ask+magazine+submissions

 

Picture Book Savvy, Part 3

Picture book text keeps getting shorter. A couple of decades ago, the target number for most publishers was 1000+. Not today. In order to write a successful picture book for traditional markets, the action has to be distilled into as few words as possible. The story idea should be weighty to provide a narrative tale with a beginning/middle/ending, leave space for illustrations to tell part of the story, and connect with the audience in a positive way.  

Rhythm and cadence are essential, and word choice is the key. Follow your own voice by telling the story as only you can. Write in such a way that your unique storytelling rings throughout. That’s what will define your career. 

Editors are looking for fresh voices, stories that make them stop to reread a sentence and offer something to make them continue reading the next. They want to be enlightened, amused, enthralled, baffled by the actions or questions posed. This does not come from the first draft. Every story needs to be revised until its patina glimmers. 

Revision takes time. Give your manuscript some time off. Walk away and work on another story. This absence is vitally important in order to review your work later with fresh eyes.  

Hand your glimmering draft over to a set of new eyes. Find a critique partner who has read lots of books and who is a practicing writer. Feedback from an informed writer helps you understand what works and what does not. 

One of my dad’s favorite authors, Louis L'Amour, said it this way: Start writing, no matter what. The water does not flow until the faucet is turned on.  

Call for submissions for Young Writers:

Hanging Loose Magazine welcomes high school submissions.

* Send all work to High School Editor, Hanging Loose, 231 Wyckoff Street, Brooklyn, NY 11217. Please also send us a note identifying yourself as a high school age writer, and telling us
your age, and be sure to include a self-addressed stamped envelope with sufficient return postage.
* Send 3 to 6 poems, or 1 to 3 short stories, or an equivalent combination of poetry and
prose. This enables us to get a good idea of what your work is like.
* All work should be neatly typed. High quality photocopies or readable computer-generated
hard copies are acceptable. A brief biographical statement is welcome. We are always interested in knowing how you found out about us, what school you attend, and so forth.Please Note: We prefer to receive submissions from young writers themselves, rather than from their teachers. We strongly discourage teachers from submitting samples of work from members of their classes. Similarly, we discourage teachers from asking students to submit their work as a class assignment. We prefer teachers to encourage students who take themselves seriously as writers to write us directly.

Hanging Loose has long been known for its special interest in new writers. We read manuscripts throughout the year and we look forward to reading yours.

Submission guidelines at http://hangingloosepress.com/submissions.html 

Call for submissions for Adult Writers:

Storytime Magazine. From spring 2017, we’ll be publishing one new short story in every Storytime issue, which will be credited to its author. If your story is selected, that’s your name and your creation in print forever – and beautifully illustrated to boot! Not only that, but you’ll be part of Storytime’s mission to keep short stories alive and to help children fall in love with reading for pleasure!

Submission guidelines at http://www.storytimemagazine.com/news/making-storytime/open-for-story-submissions/ 

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Know Your Audience, Part 1

In a recent post, I discussed writing to meet the needs and wants of a target audience. One of the most effective ways to target an audience with writing is to talk with members of a particular age group and simply ask what they like to read. Feedback is literary gold because the answers are authentic. Whether you talk with one or many, enjoy a friendly discussion on types of reading material and topics. The need of one may be the need of many. 

Knowing you audience is the key to the voice of the piece. Does an eight-year-old protagonist sound like an eight-year-old? If the answer is no, further revision is necessary. Imagine you were in an automobile accident. The way the character relates the details should be different according to the person s/he is talking with. If the character is talking to the police, a more serious tone would work. If telling friends, more humor may be expected. In fact, the character may brag to friends that he darted into traffic and tell the police that he stumbled.  

Either way, the character should mirror the actions/reactions and speech of a child the same age. The first question to ask is Who is reading or listening to this book? Adapt the content accordingly.  

Call for submissions for Adult Writers

Writing for Animals Nonfiction Anthology. Ashland Creek Press is currently accepting nonfiction submissions for a new anthology, Writing for Animals: An anthology for writers and instructors to educate and inspire.

From Franz Kafka’s Report to the Academy to Karen Joy Fowler’s We Are Completely Beside Ourselves, animals have played a central role in literature. Increasingly, writers are playing a central role in advancing awareness of animal issues through the written word.

And yet little has been written about the process of writing about animals—from crafting point of view to voice. Writers who hope to raise awareness face many questions and choices in their work, from how to educate without being didactic to how to develop animals as characters for an audience that still views them as ingredients. We hope to address these issues and more with a new collection of articles, by writers and for writers—but most of all, for the animals.

We seek articles from authors and educators about the process of writing about animals in literature.* Our focus is on including a mix of instructional and inspirational articles to help readers not only improve their work but be inspired to keep at it. Articles may be previously published and should not exceed 10,000 words.

The deadline is January 3, 2017. Accepted submissions will receive a stipend of $100 plus a copy of the finished book upon publication.

Submission guidelines at http://ashlandcreekpress.com/about/submissions.html

Inspiration, part IV

If we are inspired to write, we are much more likely to spend the time doing just that, but when rejection letters outnumber bills, it’s easy to become discouraged. Here are a few more tips on finding the “gold” called inspiration. 

Join a writer’s group or critique group. These members understand how difficult it is to write a story and get a contract. You’ll share tips, offer feedback, give encouragement, offset rejection with humor, and find comfort in the camaraderie of like-minded people. You’ll read their work and grow as a writer.  

Stuck in a story and don’t know what to do? Leave it and go for a walk. Let your mind drift as you enjoy the park, lake, nature walk, city mall… Exercise stimulates the blood flow to the brain and fresh air makes us more relaxed. As the tension eases, enjoy the sunrise or songs of the birds. Watch children play. They have a brand new outlook on life that may offer a fresh way of looking at the problem and solution of your story. Many times, I figure out the plot of a story by relaxing rather than hammering on a keyboard. Try different experiences. One may lead you to the  rainbow's "gold."  

Call for submissions for Young Writers

The Youth Honor Awards recognize creative and artistic works by young people that promote multicultural, international and nature awareness. You might like to read the Youth Honor Award winning entries in our recent issues (Vol. 25, no. 4 or Vol. 26, no. 4) before submitting your entries for the 2016 Youth Awards.

Submission guidelines at http://www.skippingstones.org/youthhonor-02.htm 

Call for submissions for Adult Writers

#storieseverywhereTwitter Writing Contest Stories are, truly, everywhere—every place you look, everyone you meet, everything you experience.

Each month we invite you to post a story on Twitter using #storieseverywhere for a chance to win a free class. Your stories (which can be true or made up) will be inspired by what you see, know, or do, and they should relate in some way to our monthly “themes”:

May: Saying goodbye
June: Superhero
July: A revolutionary act

Inspiration

I write when I’m inspired, and I see to it that I’m inspired at nine o’clock every morning. ~Peter De Vries

Inspiration is that elusive quality that makes a writer grab a pen and form words. Jack London said, “You can’t wait for inspiration. You have to go after it with a club.” These two successful writers understand that even though we love the process of stringing words together, there will be days that writing is the LAST thing we want to do. Writing is hard, some days harder than others, and picking up a club seems to be more effort than we can muster. What’s a writer to do?

Inspiration equals inspired writing. Sometimes I’m forced to search for it and sometimes the club knocks it my way. I recently had the wonderful opportunity of visiting 13 schools in one county. I spoke to preschool groups, elementary, middle school, and high school students about writing. This type of experience feeds a writer’s inspiration gene. Working directly with a target audience connects writers to readers, primary sources that offer authentic feedback. I saw firsthand what kids like to read at different age levels. When you’re talking with young readers, just ask…and listen.

Notice what makes a target audience laugh, express emotions, ooh and ahhh. Pay attention to their reactions.What books to they enjoy? What are their favorite subjects and why? What do they write on their own?

Use the feedback to focus on topics that interest the reader. Knowing that you are writing what your audience wants to read provides a springboard for inspiration.

Next week, I’ll provide more ways to find inspiration. 

Call for submissions for Young Writers

The 'Save the Earth' Poetry Prize complements John Felstiner’s book Can Poetry Save the Earth?  A Field Guide to Nature Poems and is offered annually by John Felstiner, Professor Emeritus, Stanford University and Charles Weeden, The Weeden Foundation.  We have seven winners each receiving a check for $200. and a copy of Can Poetry Save the Earth?.

Here is what students and teachers need to know:

·         High school students, grades 10th, 11th and 12th, are invited to enter.  No entry fee.

·         Poems submitted should, in any way possible, evoke humankind’s awareness of the natural world and nature as such.

·         One submission per student. There’s no restriction on form or length.

·         Please include in your email your name, school grade, high school with town and state, and name of your English teacher.

·         Poems should be submitted in English and in either Microsoft Word or .PDF.

The seven winners of the 2015 ‘SAVE THE EARTH’ POETRY PRIZE are listed above. Please click on their names to read their poems.  If you particularly like a poem, please email us at Savetheearthpoems@gmail.com and we'll forward your comments to the poet.  

For our 2016 Contest, please send submissions between March 1^st and May 31^st, 2016 to savetheearthpoems@gmail.com.

Submission guidelines at https://sites.google.com/site/savetheearthpoems/ 

Call for submissions for Adult Writers

Spigot Science is a science-themed publication with articles from many disciplines in support of the theme. Please become a Basic member (free) and download the free publication so you can become familiar with our different features. Use the Table of Contents to see that articles, while addressing the theme, are written for use in other subjects: science, technology, engineering, math, geography, language arts, social studies, health, and the arts. If you wish to write for Spigot Science, please send a query that includes your pitch and information about you.  Be sure to include your name and email address.  Send it to: davidc99@aol.com.

Submission guidelines at http://writetodone.com/31-ways-to-find-inspiration-for-your-writing/

Value of a Critique Partner

Recently my critique buddy and I have been writing one-paragraph and one-page synopses of our manuscripts. We ship each synopsis back and forth for comments and suggestions. Trusted feedback from a reliable source is invaluable. A new set of eyes sees what I have missed and questions sentences that were not clearly stated or whether my choice of words/phrases/ideas actually works.

We writers are often bonded like glue to our words. Our feelings and sweat pour into the work, along with hours of research, dreams, desires, and sometimes tears. Emotionally, we are close to the words we write, sometimes too close. Days, weeks, months later, the words are printed and we hold the “baby” in our hands. It feels so right, so perfect, so ready to send out into the publishing world. Unfortunately, it probably is far from ready if your work is anything like mine. At that phase, the manuscript is ready for another set of eyes to read and evaluate. Constructive criticism is your secret weapon to write a more compelling and powerful story.

Before you write the first word, you may want to run your story idea by other writers to get feedback. Will it work better for a picture book, chapter book, middle grade, or young adult novel? Early feedback can help guide you in developing the plot and characters. So, if you don’t have a critique partner, do yourself a gigantic favor and find one.

Next week, I’ll discuss writing a synopsis.

Call for Submissions for Young Writers:

(I’m discontinuing Call for Submissions for Young Writers until September.)

Hanging Loose magazine welcomes high school submissions. As with other writers, we reply within three months, and high school authors whose work we publish receive the same small fee and two copies of the issue in which their work appears. We feel a special responsibility to those young writers who look to us not only for possible publication but sometimes also for editorial advice, which we are always happy to give when asked.
Our work as editors is of course time-consuming, but we feel a strong commitment to give as
much time and attention as possible to the work we receive from high school age writers. We urge writers of high school age to follow these guidelines, in order to help us respond to their work.

Submission guidelines at http://www.hangingloosepress.com/submissions.html

Call for Submissions for Adult Writers:

BALLOONS Lit. Journal (BLJ), an independent biannual online journal for children and young adults readers, invites well-crafted and mind-blowing submissions for our audience (12+). We would love to have new poems, fictions, artworks, etc. for our Issue 2. Typical pieces for kids will be unlikely to get through. Deadline info Deadline: June 15, 2015

Submission guidelines at www.balloons-lit-journal.com.

Critiques

2015 is still young and this is THE YEAR to find a critique partner or group if you have not already.

Writers at all stages of their careers benefit from new eyes reading their words. Feedback provides valuable information, especially if the feedback is from writers who understand what to look for in a manuscript. A critique should focus on a piece in two ways: the overall story and specific parts, also known as the big picture and the small picture.

Overall story evaluation includes character assessment: Are the character believable? Does each character have unique traits, such as speaking differently. Feedback I once received from an editor stated that two of my characters were too much alike. As I reviewed the manuscript, I had to agree. Until she pointed out the flaw in my writing, I had not noticed it.

The specific parts critique is a line-by-line evaluation that focuses on word choice, transitions, action verbs, grammar, etc.

Critique groups are basically large online groups, forums, and small personal groups. The large online groups offer critiques from writes at different stages of their careers. Some writers love this type of feedback. Go online and type “children’s writers critique group” and you’ll find lots of information and a variety of groups. With critique forums, you post your story on a forum and receive feedback. Of course, you will be expected to provide critiques for other writers, also. My critique group began with four members a few years ago. We are now down to two, but we provide more detailed feedback and more often, if needed, than if we were members of a large group.

If you prefer face-to-face contact with a critique group, you can find members locally. Go to the local bookstore, library, or college and post signs requesting a sign-up of the group. You’ll probably find several people in your community that want to participate.

Call for Submissions for Young Writers:

Teen Lit. Our goal is to promote teen literacy locally and globally by building small libraries in schools and in a free medical clinic, and by sending newly-released teen literature worldwide to be reviewed by teens.

Submission guidelines at http://www.teenlit.com/

Call for Submissions for Adult Writers:

BUZZY MAG is looking for original science fiction, fantasy and horror short stories up to 10,000 words. Thriller, suspense and paranormal tales that cross into traditional speculative fiction are welcome. Buzzy accepts submissions from both authors and literary agents. Make sure you short story is acceptable for a 15-year-old to read. We DO NOT ACCEPT pornography, child subject matter, racial propaganda or fan fiction. Payment is ten cents/word.

Submission guidelines at http://buzzymag.com/submissions/