Showing posts with label editors. Show all posts
Showing posts with label editors. Show all posts

Sunday, October 13, 2019

Trends in Writing for Children and Young Adults



The adage of never writing to trends is one I strongly uphold, but I also like to keep my eye on the pulse of the publishing for children. In doing so I’ve found some of the movements in the marketplace.

Editors show interest in books (children - teen) that sell well in an international market. Setting may be in America, but the characters are universally relatable and stories evoke emotions.

Books with content suitable to be built into games and toys.

The demand for biographies of groundbreaking women has been overflowing and may be saturated. Yet, one told with a unique angle can be a hit.

MG humor and fantasy is strong, along with those offering powerful emotional punches. 

Illustrated MG is hot. So are graphic novels.

Standalone titles for MG.

Realistic contemporary MG and YA that tackles serious topics. 

Female protagonists in contemporary, fantasy, and literary titles for MG and YA.

Paranormal stories for teens have been down, but seem to on the rise again.

YA thrillers, mysteries, and horror are popular.

YA fantasy that can crossover into the adult markets.

Diverse books by Own Voices authors are sought after in every category and age group.

Call for Submissions for Young Writers:

Skipping Stones. You can send your regular submissions of poems, stories, essays, art and photo essays anytime. We accept your submissions for upcoming issues as they come in.

Submissions guidelines at http://www.skippingstones.org/wp/youth/


Call for Submissions for Adult Writers:

Chicken Soup for the Soul. Everyone loves holiday stories and our contributors write great ones. They are so good that we create a new edition for the holiday season every year. We are now collecting stories for our HOLIDAY 2020 book and we are looking for stories about the entire December holiday season, including Christmas, Hanukah, Kwanzaa, Boxing Day, and New Year’s festivities too.

We want to hear about your holiday memories and traditions. The rituals of the holiday season give a rhythm to the years and create a foundation for our lives, as we gather with family, with our communities at church, at school, and even at the mall, to share the special spirit of the season, brightening those long winter days. Please share your special stories about the holiday season with us. Be sure that they are “Santa safe” so that we don’t spoil the magic for precocious readers!

Submissions guidelines at https://www.chickensoup.com/story-submissions/submit-your-story



Comment or check out the blog at https://nancykellyallen.blogspot.com/

Sunday, July 14, 2019

I’ve Finished My Manuscript, Now What? Part 2


Finding a market for a manuscript is as labor intensive as writing it. Once the story is polished, go to your local bookstore/library and look at books in the same genre geared toward the same age group as your manuscript. Check out the publisher. Does it match those on your list? If not, add to your list. Check out the Acknowledgement Page. The editor is sometimes listed there, and sometimes at the end of the book.
Look at publishers’ catalogs. You can find them on their websites. Do the books seem to be similar to the manuscript you wrote, but different enough to not compete with books in the catalog? If you’re going the agent route, study the type of books s/he represents.

At this point look at books listing editors and/or agents, and make a list of approximately 15-20 that seem to be a good fit. Turn to your trusty computer and research the editors/agents’ names. Look for interviews to determine the type of manuscripts they are interested in, the subjects they want to publish (some may state they would love to see a fiction story about a rescue animal or a specific request such as that), and whether they accept unsolicited manuscripts. 

Read industry resources. Children’s Bookshelf is free. Some editors and agents participate in MSWL (Manuscript Wish List) at http://www.manuscriptwishlist.com/.

Attend conferences and writing workshops to learn about publishers, editors, and agents. Conferences are helpful in networking with other writers and finding qualified critique partners, who are knowledgeable about writing for children.

In my next blog, I’ll continue with more tips on marketing a manuscript.

Call for Submissions for Adult Writers:

DIG (Into History) is where world history and archaeology meet for kids ages 9 to 14, though adults have been known to find it an interesting read, as well! Each issue of DIG focuses on providing comprehensive coverage of a single theme, allowing children to get in-depth information on historical topics and archaeological discoveries from writers who are experts in the field. With nearly 60 ad-free pages in each issue, DIG provides an adventurous trek through the past that will entertain and educate any young history buff or budding Indiana Jones.
Submission guidelines at http://cricketmedia.com/dig-submission-guidelines

Nancy Kelly Allen has written 50+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

Sunday, November 11, 2018

Writing Right


Every manuscript I complete is a learning experience in which I grow as a writer. Practice makes perfect (or something like that). My literary growth is even greater during revisions. That’s the time in which I choose what should change, what works, and what does not. The revisions I dread are those that follow the directive of an editor, because those push me out of my comfort zone and pound an Ouch! to my ego. They make me THINK. And rethink. Write and rewrite.

Plan time in your day to play with words and string them together. Realistically, it probably isn’t possible to write every day, but write with the purpose of working on a manuscript a few times every week. Don’t just plan on writing, write. Form a routine in which you can fit writing into a schedule.

If you’re easily distracted, work on a computer that’s not connected to the Internet. The magnetic draw of email and surfing the Web will no longer entice.

Organize your notes and materials so you can manage the information efficiently.

If you outline, begin your first draft soon after finishing. If you don’t outline, begin your first draft as soon as possible. Now would be a good time.

Think about your characters and allow them to gel in your mind before writing, but don’t use that as a reason to postpone writing. Treat writing as a job. Set goals. Some writers set words-per-day goals, such as 500 words. Others set time frames. Maybe two hours every morning. Find a time and place that fits your lifestyle and make it a routine. Continue until you have a first draft completed.

At this point, begin revision.

Happy writing


New Moon Girls. Ideas, Articles, Inventions, Fiction, Gardens, Poetry, Music, Opinions, Apps, Global Villages, Recipes, Plays, Buildings, Puzzles, Projects, Jokes, Speeches, Games, Screenplays, Sports, Emotions, Equations, Painting, Art, Experiments, Costumes, Activism, Photos, Rockets, Crafts, Designs, Gadgets, Dances, Solutions, Hats and Everything Else You Imagine and Make.
Submission guidelines at https://newmoon.com/how-to-get-published/

Call for Submissions for Adult Writers:
New Moon Girls. We show girls as powerful, active, interesting makers in charge of their lives – not as passive beings who are acted upon or watching others. We celebrate girls and all their accomplishments. We support girls to express their voices, opinions, problems, needs and dreams as they grow from girlhood to womanhood. We support girls in reaching out and being allies to each other, even when they disagree.
Submission guidelines at https://newmoon.com/adult-contributors-new-moon-girls/

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.
Leave a message or check out my blog at www.nancykellyallen.com

Sunday, October 28, 2018

Perseverance

Riding the Rejection Train is a tough route for any writer. Not only is the failure to get a contract disappointing, it also undermines our psyche. We question our talent. We question our choice of manuscript subjects. We question everything related to publishing. But perseverance trumps talent. I should know. I’ve been rejected so many times, I lost count years ago. 

According to Richard Bach, author of JONATHAN LIVINGSTON SEAGULL, “A professional writer is an amateur who didn't quit.” Writing requires an investment of time, lots of time, and energy. Inspiration and a vivid imagination are good components, too. There’s no doubt, writing is work. It’s also fulfilling, and at times, joyful (when an editor calls and says the magical word: Yes).


When I began writing, I read picture books to my students daily, and the stories drew me in to worlds of strange and astonishing characters. Those stories enticed me to write about my own characters. Reading does that to me. When I read I am more compelled to write. Characters, one after another, staked a claim to my brain and refused to leave. Editors passed on all. I lost interest in writing until I picked up the next picture book, the next day. Reading it boosted my creative energy. I kept getting rejected, but sometimes an editor would ask to see something else I had written. My heart fluttered with hope. Finally, I hooked an editor and held my first book, ONCE UPON A DIME. Now, I’m striving to garner the 52nd contract.            

Every writer is different. Some become discouraged more easily than others, but all writers get rejections. The more we write, and the more we read, the better writers we become. 

Call for Submissions for Young Writers:
Magic Dragon, a quarterly publication, presents writing and art created by children in the elementary school grades in a magazine of quality four-color printing and graphic display. We believe that our objectives are special – to encourage the development of creativity in children and to provide a medium to share their creative efforts. Our conviction is that encouraging children in the elementary grades to be unafraid to express their creative ideas will increase their chances of becoming adults unafraid to apply a creative approach to all aspects of their lives and work.
Submission guidelines at http://www.magicdragonmagazine.com/
Call for Submissions for Adult Writers:
Genre: Short story or nonfiction up to 5,000 words. Prize: $1,000. Deadline: November 30, 2018.
Deadline: November 30, 2018
https://www.servicescape.com/short-story-award 
Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.
Leave a message or check out my blog at www.nancykellyallen.com

Sunday, September 2, 2018

Proofreading Tips, part 1







Let’s face it, catching mistakes in our writing is not easy. Our brains often read our own writing as we intended it to be written, not the way we wrote it. Critiquing the writing of others is much easier because we don’t have a mental concept of the text. We’re reading it for the first time, so if there is an error, it pops. Margaret Atwood says it this way: You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You’ve been backstage. You’ve seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a ­romantic relationship, unless you want to break up.

Before sending a manuscript out to editors or agents, proofreading is a must. But if we can’t “see” all the mistakes, what can a writer do?

Of course, a professional proofreader is one option, but probably not an affordable one for many. So checking our own work is a good place to start. Here are some techniques I’ve tried with success.

Place the manuscript aside for a few days, a week, or even better, a month. Don’t look at it. Start another manuscript, so your mind will focus on the latest work. After a length of time, refocus on the finished manuscript. By that time your writing palate will be cleansed and your mind will catch the mistakes more easily.

Keep an error list. If you sometimes confuse the use of “which” and “that,” make a note so you can double check the manuscript.

Take your time proofreading. It’s a slow process, so don’t rush it. Read slowly—each word, each sentence.

In my next blog, I’ll provide more proofreading tips.

Call for Submissions for Young Writers:
Skipping Stones Magazine. Publishing poems, stories, articles and photos from both youth and adults for readers ages 8 to 16. A resource in multicultural and global education, ecological and cultural diversity.
Call for Submissions for Adult Writers:
Skipping Stones Magazine. Our readers, ages 7 to 17, hail from diverse cultural and socioeconomic backgrounds. We want to make their reading of Skipping Stones an active experience, relevant to issues confronting them locally and globally. Writing and artwork by adults should challenge readers to think, learn, cooperate and create.

We encourage adults to submit creative informational stories rather than pure fiction. We prefer submissions focusing on your own culture or experiences. No adult poetry, please.
Submission guidelines at https://www.skippingstones.org/wp/adult/

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.
Leave a message or check out my blog at www.nancykellyallen.com


































































































































































































































































































































































































































































































Let’s face it, catching mistakes in our writing is not easy. Our brains often read our own writing as we intended it to be written, not the way we wrote it. Critiquing the writing of others is much easier because we don’t have a mental concept of the text. We’re reading it for the first time, so if there is an error, it pops. Margaret Atwood says it this way: You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You’ve been backstage. You’ve seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a ­romantic relationship, unless you want to break up.

 

Before sending a manuscript out to editors or agents, proofreading is a must. But if we can’t “see” all the mistakes, what can a writer do?



Of course, a professional proofreader is one option, but probably not an affordable one for many. So checking our own work is a good place to start. Here are some techniques I’ve tried with success.



Place the manuscript aside for a few days, weeks, or even better, a month. Don’t look at it. Start another manuscript, so your mind will focus on the latest work. After a length of time, refocus on the finished manuscript. By that time your writing palate will be cleansed and your mind will catch the mistakes more easily.



Keep an error list. If you sometimes confuse the use of “which” and “that,” make a note so you can double check the manuscript.



Take your time proofreading. It’s a slow process, so don’t rush it. Read slowly—each word, each sentence.



In my next blog, I’ll provide more proofreading tips.



Call for Submissions for Young Writers:

Skipping Stones Magazine. Publishing poems, stories, articles and photos from both youth and adults for readers ages 8 to 16. A resource in multicultural and global education, ecological and cultural diversity.


Call for Submissions for Adult Writers:

Skipping Stones Magazine. Our readers, ages 7 to 17, hail from diverse cultural and socioeconomic backgrounds. We want to make their reading of Skipping Stones an active experience, relevant to issues confronting them locally and globally. Writing and artwork by adults should challenge readers to think, learn, cooperate and create.

We encourage adults to submit creative informational stories rather than pure fiction. We prefer submissions focusing on your own culture or experiences. No adult poetry, please.

Submission guidelines at https://www.skippingstones.org/wp/adult/

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Leave a message or check out my blog at www.nancykellyallen.com

Sunday, January 21, 2018

Manuscript Wishes


 
At the beginning of each year, I enjoy trolling through sites and picking up on the latest manuscript wishes as presented by publishers, editors, and agents. The literary offerings are constantly in flow—changing, morphing. New publishers emerge, new styles take charge, and new opportunities for writers abound.

 Here are some of the predicted trends and editor wishes for 2018

 1.      Strong female characters
 
2.     Kid-friendly nonfiction
3.     Series

4.     Fantasy worlds and creatures

5.     Activity books in STEM areas

6.     Board books

7.     Picture books for ages 4-8—fiction, humorous, wacky stories. Narrative nonfiction. Strong females who made a mark in history.

8.     Historical fiction for middle grades. Action and adventure stories with elements of fantasy and magic (series and standalone) as well as nonfiction.

9.     Young adult fiction and nonfiction. YA thrillers becoming popular.

10. Graphic novels

11. Unusual voices

12. Unfamiliar style and unique perspectives

13. Diverse books by Own Voice writers
14. Subjects on contemporary social matters

Of course, many books that don’t fit within this list will find homes with publishers. Make your manuscript the best it can be, ship it out to prospective editors, and begin a new manuscript while waiting for a response.

Here’s to a bountiful year of writing.

Call for Submissions for Young Writers:

Hanging Loose magazine. Since 1968, every issue of Hanging Loose has had a section of high school writing. We’re always looking for new writers. Poems or short stories, or an equivalent combination of poetry and prose.

Call for Submissions for Adult Writers:
APPLESEEDS: Ages 6 and up, focus on 3rd and 4th grade. Multidisciplinary, nonfiction social studies. Theme-oriented. See guidelines for upcoming themes. Articles should be scientific and/or historical research-oriented. Feature articles, nonfiction, interviews, etc: 1-4 pages. Articles must be proposed first.

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.
To leave comments or to check out her blog click, go to www.nancykellyallen.com

Sunday, January 7, 2018

Working Together

In a literacy meeting, I heard an African proverb that resonated with me: If you want to go fast, go alone. If you want to go far, go together. 

I’m dedicating my first blog post of 2018 to my critique partner, Sandi Underwood, who has enriched my writing over the years. With her keen eye, writing experience, and willingness to help, my writing journey has taken me farther, much farther, than if I trekked alone.  

She is invaluable to me because she questions my work. If all the feedback I receive is positive, I won’t grow as a writer and won’t learn to create stronger stories. Editors will certainly find holes, actually wide gaps, if my eyes are the only look-see my words get prior to submitting to a publisher. My critique partner not only points out what does not work but what works well. I need to know both. Her feedback offers an objective review of my draft, an evaluation of its suitability for the age group, and most importantly, it allows me to “see” my work from another perspective, and a qualified perspective, at that. 

I almost never follow-up with an explanation of why I wrote something the way I did. If she didn’t understand it or the writing was cumbersome on her first read, it will be the same for an editor or a reader. She has my trust, so if she isn’t grasping the flow and rhythm, neither will the gatekeepers. 

In turn, I evaluate her work, which is as valuable to me as receiving a critique. I’m forced out of my comfort zone by engaging in her story and analyzing the many components. 

Regardless of where you are on your writing journey, a knowledgeable critique partner can take you far. Attend writing workshops and conferences to find people who understand the genre in which you write and are interested in working together toward a common goal. 

Sandi, thanks for traveling this literary journey with me!   

Call for Submissions for Young Writers:

Sprout. Our vision is to have a space where young minds can share their thoughts and opinions about society through creative expression. Sprout is a nonprofit, online literary journal for teens, by teens—we look to publish creative media that demonstrates awareness of the world and social commentary, sharing art in its purest, rawest form.

Submission guidelines at http://www.sproutmagazine.org/submission-rules.html

Call for Submissions for Adult Writers:

Upworthy reaches a massive audience with meaningful stories every day, and we're looking for original stories that support our mission of creating a better world. That's where you come in. We're currently accepting pitches from freelancers for stories that are:
  • Surprising
    Is the topic, narrative, character, or outcome something truly new?
  • Meaningful
    If a million people saw this story, would it make the world a better place?
  • Visual
    Are there enough visual elements to engage readers who might be skimming on a phone?
  • Shareable
    Would you share it? Would your friends share it? Most importantly, would your mom's friend share it?
Submission guidelines at http://www.upworthy.com/pitch-us

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

 

Sunday, December 3, 2017

“Patience is not the ability to wait but the ability to keep a good attitude while waiting.” ― Joyce Meyer
 
I recently finished, and lived to tell it, a deadline on a children’s book. Deadlines are a wonderful pain to have experienced, or so they say. I don’t remember who “they” are, and I wonder if they were serious. Deadlines rattle my nerves, disturbs my sleep, and I truly don’t appreciate them as I’m struggling to finish. Gotta have ’em but we don’t gotta love ’em. No deadline, no book. That sentiment gets my attention and spurs me into action.  

I shipped that “baby” out, but before I did, I started with the same ole, same ole: I should do this (rewrite a particular sentence) or that (remove a particular paragraph). My tummy queased , my toes curled, and my thumb beat a frantic rhythm on the desk. Of course, this response is somewhat ridiculous considering that I’ve been doing this since 1989. Maybe my reaction is a result of receiving so many rejections over the years. I’ve certainly had my share. Maybe it’s my desire to write and write and write, aiming for perfection. But after eight years (off and on) with this manuscript, I need to part with it…or maybe one more week of revisions would…what? 

Finally, I just pushed SEND. It is what it is. The publisher will take the rewrite, or not. The best thing I can do is concentrate on the next story since I have zero control over what publishers and editors do. Those stories that come close and then are rejected are the hardest to handle.  

Over the years, I’ve received hundreds of “thanks, but no thanks.” Actually the rejections are NOT that harsh, but even the most courteous produce a sting. Sometimes rejections rain down on me, hurricane style, leaving my mental state devastated for a day or two in their wake.  

The nice thing is the memory fades and the pain eases as I focus on the next project or on another manuscript that is making its rounds with the literary gatekeepers.

Here’s to new manuscripts, new hopes, new dreams…and deadlines…and waiting. 

Call for Submissions for Young Writers:

The PUSH novel contest is open to submissions! All entries must be postmarked by January 16, 2014. Happy writing!

Submissions must contain at least three and no more than five chapters from an original novel (excerpt minimum 15 pages, maximum 50 pages), as well as an outline/summary of the rest of the book, not to exceed two pages in length. All entries should be double-spaced and in 12-point font. The award is given in conjunction with the Scholastic Art & Writing Awards, and all rules and regulations can be found on www.artandwriting.org. This contest is only open to students in grades 7 through 12. The gold medal winner will win a Scholastic Art & Writing Award, and the manuscript will be worked on with PUSH editorial staff, with the hope of eventual publication.


 Call for Submissions for Adult Writers:

Humpty Dumpty (ages 2-6)
FICTION: Short stories 450 words or less. Payment: $30 and up.
BUILD-A-BOOK: We are accepting short mini-stories of 70-125 words. These should be positive and light-hearted; often humorous. Characters can be children or animals. We welcome material that deals with kindness, love, good manners, friendship, holidays, and seasons.
POETRY: We accept poems 4-12 line poems. Please remember the age of your audience.
CRAFTS: We accept fun crafts of 250 words or less that young children can make with a bit of adult help. Crafts can celebrate holidays or seasons. Materials should be inexpensive and easy to obtain. Include easy-to-understand steps and directions and, if possible, include a photo of the finished craft.
Submission guidelines at http://www.uskidsmags.com/writers-guidelines/

 Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

Sunday, September 10, 2017

Emotional Rollercoaster

A friend sent joyous news: She received her first book contract. Congratulations! The ultimate reward for years of diligent effort had finally paid off. Her joy reached the stratospheric level, naturally. As often happens when facing a time lapse between receiving “The Call” and getting the written agreement, nerves jittered. Doubts swirled faster than autumn leaves when the contract wasn’t in the email the next day, or the next, or the next. A week passed. Two weeks. Nerves jittered into emotional chaos. She asked if she should contact the editor about the delay. 

The emotional rollercoaster she experienced is perfectly normal. She worked for YEARS pounding the keyboard trying to nab a contract. After a ton of rejections our neural pathways form in such a way that our brains tell us, not in thought but in emotions/expectations, that a contract is out of reach. We KNOW that we have received the contract; yet we can’t BELIEVE it because our emotions lag behind our cognitive processes. (Disclaimer: This is totally my theory, and I have no scientific data at hand to support it.) 
 
On a personal level, my confidence builds as I sign the contract, and reality sets in big-time with my first read-through of the revision notes. The emotional surge revs to tornadic intensity as doubt, jitters, and downright panic overtake my psyche. I’ve experienced every emotion known to humankind when first reading the suggested revisions. One such set of revision notes was longer than the picture book text. Another set was quite short but memorable: delete the last 5 chapters and rewrite, focusing on the child and grandparent. Snap! The best-friend scenes and chapters waved bye-bye, just like that. I gasped for breath, walked away from the computer, and did normal things the rest of the day, steering clear of the email communication. In the meantime, I began thinking about how I could develop the story. The revisions improved the stories, by the way, so the editors were correct. And I lived. The revisions (yes, more than one) failed to kill me. 
 
Publishing books is a slow business. Revision after revision is usually required. Editors work on several projects simultaneously, which slows the process even more. Two years in production for picture books remains typical with traditional publishers.  
 
The excitement, jitters, and doubt are critical to the writer’s journey. Embrace them and enjoy making the book the best it can be. Oh, and give the editor extended time to make contact. S/he will appreciate it.
 
 
[Beginning this week, I will include Calls for Submissions for Young Writers in each blog through April 2019.]
 
Call for Submissions for Young Writers:

Bazoof. Youth submissions accepted from around the globe from all ages, with different genres and length requirements depending on age of contributor. Readers can find short stories, comics, games, craft & art projects, jokes, riddles, sports reporting, articles on pets, recipes, personal achievements and community service projects, poetry, letters, true stories and much more!

Submissions: http://www.bazoof.com/submit/

Call for Submissions for Adult Writers:

Call for Submissions: Children’s Activities

Deadline: September 30, 2017

SPIDER (for ages 6-9) and LADYBUG (for ages 3-6) are looking for children’s activities. This includes clearly worded, playful step-by-step directions for crafts, activities, games, science experiments, and recipes for children ages 3 to 9. The strongest activities will engage a child’s imagination and creativity, can be done at home, and require little adult supervision. We also seek word games, tongue twisters, jokes, riddles, picture-based crossword puzzles, and foreign language activities.  


Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

Sunday, July 30, 2017

Writing in Rhyme

In a writing group I recently attended, one member followed up with an email to ask why editors did not like rhyming stories. I certainly can’t answer for editors, and since I don’t (and can’t) write in rhyme, my reply is based on the information I’ve heard in workshops and discussions with several editors.

Rhyme does not work when the rhyme is the most important factor. The story reigns supreme and should have an arc with a beginning, middle, and ending, as with non-rhyming stories. The words should read well and be fun to say, and the rhyming words should be exact rhymes. Near-rhymes don’t cut it.

The strength of the story comes from the voice, emotion, plot, character, and resolution/change at the end of the story, not from the rhyme. It’s easy to write bad rhyme (I know because the rhyme I’ve written is not contract worthy), and good rhyme is extremely difficult to master.  

Editors often steer away from rhyme since it is difficult to translate into other languages, making the sales market smaller. 

The manuscript must tell a good story. If you can do that and follow the rules of rhyme, give it a try. Many authors do and are successful.

Call for Submissions for Adult Writers:

Chicken Soup. Christmas and Holiday Collection – 2018. Our next holiday collection will not be released until 2018 but we are already collecting stories for it. People love reading about the winter holidays – from Thanksgiving all the way through New Year’s Day. We want to hear about your traditions and how they came to be. We want to hear about your holiday memories and the rituals that create the foundation of your life. We love to hear about the funny things too: the ugly holiday sweaters, the gingerbread house that kept falling down, the re-gifting embarrassments and the fruit cake disasters. Please be sure your stories are “Santa safe” so we don’t spoil the magic for any precocious young readers. The deadline date for story and poem submissions is October 31, 2017.

 Submission guidelines at http://www.chickensoup.com/story-submissions/possible-book-topicsSubmission guidelines at

 Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

Sunday, December 18, 2016

Picture Book Savvy, Part 3


Picture book text keeps getting shorter. A couple of decades ago, the target number for most publishers was 1000+. Not today. In order to write a successful picture book for traditional markets, the action has to be distilled into as few words as possible. The story idea should be weighty to provide a narrative tale with a beginning/middle/ending, leave space for illustrations to tell part of the story, and connect with the audience in a positive way.  

Rhythm and cadence are essential, and word choice is the key. Follow your own voice by telling the story as only you can. Write in such a way that your unique storytelling rings throughout. That’s what will define your career. 

Editors are looking for fresh voices, stories that make them stop to reread a sentence and offer something to make them continue reading the next. They want to be enlightened, amused, enthralled, baffled by the actions or questions posed. This does not come from the first draft. Every story needs to be revised until its patina glimmers. 

Revision takes time. Give your manuscript some time off. Walk away and work on another story. This absence is vitally important in order to review your work later with fresh eyes.  

Hand your glimmering draft over to a set of new eyes. Find a critique partner who has read lots of books and who is a practicing writer. Feedback from an informed writer helps you understand what works and what does not. 

One of my dad’s favorite authors, Louis L'Amour, said it this way: Start writing, no matter what. The water does not flow until the faucet is turned on.  

Call for submissions for Young Writers:

Hanging Loose Magazine welcomes high school submissions.

* Send all work to High School Editor, Hanging Loose, 231 Wyckoff Street, Brooklyn, NY 11217. Please also send us a note identifying yourself as a high school age writer, and telling us
your age, and be sure to include a self-addressed stamped envelope with sufficient return postage.
* Send 3 to 6 poems, or 1 to 3 short stories, or an equivalent combination of poetry and
prose. This enables us to get a good idea of what your work is like.
* All work should be neatly typed. High quality photocopies or readable computer-generated
hard copies are acceptable. A brief biographical statement is welcome. We are always interested in knowing how you found out about us, what school you attend, and so forth.Please Note: We prefer to receive submissions from young writers themselves, rather than from their teachers. We strongly discourage teachers from submitting samples of work from members of their classes. Similarly, we discourage teachers from asking students to submit their work as a class assignment. We prefer teachers to encourage students who take themselves seriously as writers to write us directly.

Hanging Loose has long been known for its special interest in new writers. We read manuscripts throughout the year and we look forward to reading yours.


Call for submissions for Adult Writers:

Storytime Magazine. From spring 2017, we’ll be publishing one new short story in every Storytime issue, which will be credited to its author. If your story is selected, that’s your name and your creation in print forever – and beautifully illustrated to boot! Not only that, but you’ll be part of Storytime’s mission to keep short stories alive and to help children fall in love with reading for pleasure!


Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.