I’ve Finished My Manuscript, Now What? Part 1

A few times each month, beginning writers contact me asking for directions, primarily, what to do after they finish their manuscripts. First of all, congratulations are in order. Finishing a manuscript is no small task. 

My initial reaction is to advise the writers to do nothing with the manuscript for a month or so, and in the meantime, begin another writing project and find a critique partner to read the manuscript and offer feedback.

After revising the manuscript and polishing it, make a submission list of appropriate publishers. If a publisher doesn’t accept unsolicited manuscripts or accepts only middle grade and young adult, sending a picture book will garner nothing but a rejection. The goal is to submit to a particular editor or agent. Writers need an individual who will love the work and promote it within the publishing house or literary agency.

Editors and what they are looking for in manuscripts can be found in  Children’s Writer’s & Illustrator’s Market, a book that is sold or can be ordered at bookstores or online. Guide to Literary Agents is another source if you choose to go the agent route.

In my next blog, I’ll continue with more tips on marketing a manuscript.

Call for Submissions for Adult Writers:

SPIDER, a literary magazine for children, features fresh and engaging literature, poems, articles, and activities for newly independent readers. Editors seek energetic, beautifully crafted submissions with strong “kid appeal” (an elusive yet recognizable quality, often tied to high-interest elements such as humor, adventure, and suspense).  

Submission guidelines at http://cricketmedia.com/spider-submission-guidelines

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

Common Writing No-Nos (of which I am guilty)

Oh, those tricky grammar rules. So many. And then there are rules for writing. So many. Plus, factor in the tendency to misuse grammar and writing rules. Realizing my tendency to choose the incorrect word, I watch for my errors knowing that I will find many. So many. 

This writer tends to fall in love with a word and use it too often. Just is one word I just can’t drop…until I force it out during revision. Diverse language adds voice to writing, taking it from a hum to a song. Using the same word repeatedly doesn’t cut it with readers. 

Clichés sneak into our prose and are as boring as Uncle Ned’s tenth retelling of his visit to the E.R. Surprise the reader with sensory descriptions as you write the unexpected. Boring as an old shoe or as watching paint dry adds no excitement to the storytelling because it’s expected.   

I also have a tendency to write sentences of mid-size length. During revision, I actually count the number of words in sentences, for picture books. Vary sentence length. The variety adds rhythm to the text and engages the reader.

I do the same with paragraph lengths. Paragraphs offer breaks in the text, but if all are the same length, that pattern may become boring and expected.

Action verbs help push the plot along. My goal is to provide the reader with visual images of action by using such verbs as slither, hop, scurry. In the first draft, I’m so busy writing character and plot development, non-action verbs—was, have, are, and is—make too many appearances. 

Spell-check catches some mistakes, but in-depth revisions elevate questionable writing to a reader pleaser. 

Call for Submissions for Young Writers:

Stone Soup. We publish stories on all subjects—horses, dance, sports, problems at school, problems at home, magical places—and in all genres—literary fiction, science fiction, historical fiction, fantasy, mystery—there is no limit to the subject matter of a Stone Soup story. What matters to us is not the subject. It is how interesting your story is to another reader. Does it have a strong beginning, middle, and end? If there is dialogue, is it realistic—is it the way people speak? If your story has talking animals, is there something about the way the animals think or move that feels true to that particular kind of animal?

We publish stories on all subjects—horses, dance, sports, problems at school, problems at home, magical places—and in all genres—literary fiction, science fiction, historical fiction, fantasy, mystery—there is no limit to the subject matter of a Stone Soup story. What matters to us is not the subject. It is how interesting your story is to another reader. Does it have a strong beginning, middle, and end? If there is dialogue, is it realistic—is it the way people speak? If your story has talking animals, is there something about the way the animals think or move that feels true to that particular kind of animal?

Submission guidelines at https://stonesoup.com/how-to-submit-writing-and-art-to-stone-soup/

Call for Submissions for Adult Writers: 

Fun For Kidz is a magazine created for boys and girls from 6 to 13 years, with children 8, 9, and 10 the specific target age. Issues are themed. Genres: Nonfiction and fiction. Length: 300-325 words for a one-page magazine article or up to 600-650 words for a two-page magazine article.

Submission guidelines at http://funforkidzmagazines.com/ffk_guidelines

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Leave a message or check out my blog at www.nancykellyallen.com

Does the character change/grow/learn something by the end of the last chapter? The main conflict gets resolved by the end of the book. In some books, characters may change the way s/he looks at the world. In others, a character may realize that s/he was doing the right thing all along. That realization is the result of the growth of character. Either way, the character should experience growth.

Sentence structure is as important as word choice. In revision, I reread the entire manuscript looking at nothing but sentence structure. My goal is to vary the structure to help create rhythmic prose. Long, short, and mid-size sentences keep the writing lively. Too many subject-verb sentences craft bland writing, and readers notice with a yawn. Another option is to vary sentence openings: Susie peeped out the window. As the rain pinged the glass, Susie peeked out the window.  

Check the dialog. I read each piece of dialog and question whether is sound appropriate for the character’s age and situation. As I read it aloud, I listen to the words and tone. My goal is to capture the voice of each character. By reading aloud, my brain hears mistakes that my eyes overlook if reading silently. It’s also easier to catch the flow and rhythm of the words. Try it. 

Grammar, punctuations, and manuscript format are my final checks. Professional looking manuscripts are more likely to get read than those with simple, overlooked mistakes.

Revision is our chance to make manuscripts shine. I wish you sparkle and glimmer in your literary output.

Call for Submissions for Adult Writers:

DIG Magazine is a world history publication that targets children aged 9 to 14. They’re accepting queries for feature articles, supplemental nonfiction, and fiction. Writers can pitch anything from plays to biographies. 

Submission guidelines at http://cricketmedia.com/dig-submission-guidelines 

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Leave a message or check out my blog at www.nancykellyallen.com

Chapter Book Revision, continued

In my revision, I’ve reviewed the setting and made sure I let the reader know where the story is happening. The action takes place in a park, in present day, for the duration of three days. The setting provides the backdrop for the action, and that allows me to use sensory language to evoke vivid sights, aromas, and slimy tactile sensations, in this case—snot! Snot works for the chapter book age group.

The park setting is the backdrop for the conflict, too, from sneaky bullies inside buildings, to finding hidden cave treasures on a hillside,  to a deep diving escape in the swimming pool. Nights can be dark with only firelight to see. Sunny days can offer an environment for soundless steps on a mossy bank, perfect for sneaking up on wild goats. I’ve used setting to enhance the conflict and raise the tension. The thesaurus has come in handy in choosing descriptive words and phrases to create the mood of the story. In revising, I’ve tweaked the scenes to make the setting a part of the story narrative, rather than merely describing it, to keep the reader immersed in the fictional world.  

Conflict/problem builds reader interest. I introduced part of the conflict in the first chapter, hinted about another conflict in the second chapter, and fully introduced the other conflict in the third chapter. The goal of the main character is to attend a weather camp weekend at the park, but because he has a problem with a neighbor, he is grounded (the initial conflict). The conflict arises in the first chapter and gives the story direction.

 In my next blog, I’ll discuss more elements of revision.

Call for Submissions for Adult Writers:

FrostFire Worlds is intended for younger readers, from ages 8-17 and up. Genre: Science fiction and fantasy short stories, poems, art, articles, reviews, and interviews. Preferred are adventure stories, space opera, and magic opera [like space opera, but fantasy]. Also preferred are stories that take place on other worlds. Stories must have the following: characters the reader cares about, plots and subplots, and settings that draw the reader into them.

Submission guidelines athttp://albanlake.com/guidelines-frostfire/ 

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Leave a message or check out my blog at www.nancykellyallen.com

Chapter Book Revision, continued

When I revise, I focus on one or two elements at a time. In this latest revision, I worked on changing an unreliable protagonist to a somewhat reliable one. That’s all I worked on, and limited that work to the first three chapters. Once I get the first three chapters polished, I’ll revise the remainder of the book, still focused on the aspects of correcting the actions of an unreliable narrator. At that point, I will begin at Chapter 1 and revise two more elements. I choose to work on one or two elements at a time, so I remain focused on those corrections, alone. If I attempt to revise everything, chapter-by-chapter, I lose focus. Other writers might be able to, but not this one. 

My goal is to intrigue the reader with a character. Here’s a quick method that’s worth your time. Reread the first five pages of your manuscript. From those five pages only, list what the reader knows about the character. If you list only two or three items, revise. If you list eight to ten items, you’re off to a great start on character development. Spend time developing the main character, because the protagonist will carry the story from beginning to end. 

Why am I spending so much time on the first part of the book? I have to grab the reader’s attention immediately and hold it. If the dialog, characters, and plot don’t resonate, the pages won’t be turned.

 

I've also been working on narrative voice, the use of language that says what it says in an interesting way: phrasing that tickles the ear or surprises in some way, unexpected narrative, and age-appropriate dialog. The dialog should promote the plot or help develop the character. Read it aloud. How does it sound? Does it sound like the age of the reader?  

By honing in on one or two elements, writers give full attention to correcting or improving each. If revision in one swoop through the manuscript becomes overwhelming, give this method a go. 

That’s not all. In my next blog, I’ll discuss more elements of revision.           

Call for Submissions for Adult Writers:

Youth Imagination publishes stories relevant to teens. Genres: Fiction, including modern, urban or classical fantasy, as well as sci-fi, slipstream, literary, action-adventure or suspense. "We particularly love stories exploring their issues, such as bullying, drugs, romance, school, parental issues, teacher issues, etc., as well as about the grit and character of teens and young adults."

Submission guidelines athttps://youthimagination.org/index.php/submission-guidelines 

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Leave a message or check out my blog at www.nancykellyallen.com

Chapter Book Revision, cont'd.

At this point in my chapter book revision, I’m focusing on the first three chapters, since that’s what many agents/editors request. If they like the beginning, they may ask to see the entire manuscript. The first sentence, followed by the first paragraph, followed by the first chapter are the parts of a manuscript that have the greatest initial impact (first chapter = initial impact). If readers aren’t hooked in the first chapter, they often read no further. A great first chapter warrents further reading. A not-so-great one earns a rejection. The writing must stand out to the point it beats the competition, which is not an easy task to achieve, but IS achievable.

A lot happens in the first chapter. Here are revision checkpoints I’m homing in on:

 Introduce the hook. A hook is writing that snares  readers' interest and keeps them reading.

 

Introduce the characters. Begin with the main protagonist. My initial plan involved writing about an unreliable narrator, one who the reader could not depend on to tell the story in an unbiased way. The little boy didn’t get along with his neighbor so from his perspective, everything about the neighbor was negative. A few revisions later I still kept this aspect of the character’s personality. Then, after setting the story aside for months, I’ve decided to make the character narrating the story more reliable and the neighbor can come to life showing her positive and negative traits as the story unfolds. Setting this story aside to work on other projects allows me to be more objective in critiquing because I’m coming back to it with a fresh outlook, a policy I recommend for all writers.

I’ve revised the first three chapters until my fingers tingled, but Chapter 1 is missing the mark, still. What’s a writer to do? Revise, revise, revise. At this point I’ve rewritten the opening about thirty times. Yes, 30! There may be a 31. I’ll run it by my critique partner and find out.

In my next blog, I’ll provide more checkpoints for revision.

Call for Submissions for Adult Writers:

Hunger Mountain is a print journal of the arts. We publish fiction, poetry, creative nonfiction, visual art, young adult and children’s writing, and literary miscellany. Our print issue comes out annually in the spring. Hunger Mountain hosts four annual writing contests, which are open to all writers: the Howard Frank Mosher Short Fiction Prize, the Ruth Stone Poetry Prize, the Katherine Paterson Prize for Young Adult and Children’s Writing, and the Hunger Mountain Creative Nonfiction Prize.  We also offer a paid Hunger Mountain Fellowship.

Submission guidelines at http://hungermtn.org/about-us/

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Leave a message or check out my blog at www.nancykellyallen.com

Central Thread in Writing a Picture Book Biography

I received the following feedback on a picture book biography I’m in the process of revising: Find a central thread that ties all the episodes together, such as wanderlust to move on, an inner struggle to see the world beyond the territory in which the character lives, or an ambition to do something new and exciting.  

This advice makes so much sense to me. I agreed, totally. Whatever route I choose, I need to tie it in at the beginning and carry in through to the end by unearthing some common threads.  

I have a long way to go with this story, but I will continue to read, research, and collect data based on the character’s life. Each bit of information provides another piece of the puzzle. After pondering various ways to tell her story, I’ve decided to focus on her sense of adventure, her desire to travel new trails, and experience new territories.  

Since most picture books are 32 pages, biographies are limited in telling the wide expanse of a person’s life. Instead, focusing on pivotal scenes within a narrow narrative arc (beginning, middle, ending) seems to work for my particular story.

Pondering, that’s the key to figuring out how to approach this revision. Pondering different possibilities. Pondering a way to crawl inside the character’s head and figure out how and where to take her, finding the passionate core to create an emotional impact for the reader.  

My pondering sometimes happens in the middle of the night. I’ve worked out so many character situations when I wake up in the middle of the night and a solution pops into my head. Some pop right back out, and I can’t remember them the next day. Anyone have a popper stopper? 

Call for Submissions for Young Writers:

Launch Pad: Where Young Authors and Illustrators Take Off! publishes stories, art, poetry, nonfiction, and book reviews by kids ages 6 – 14. If we select you as an author, we will send your work to a young artist to illustrate before publishing it on our website. If we select you as an artist, we will send you something from a young author to illustrate! Ask a parent before submitting to our site.

Submission guidelines at http://www.launchpadmag.com/ 

Call for Submissions for Adult Writers:

Humpty Dumpty and Jack and Jill provide fun, entertaining reading material is our priority. We accept humorous, playful, and witty stories that kids would love to read—not stories that grownups think kids should read.

As part of the Children’s Better Health Institute, we are always in need of high-quality stories, articles, and activities with a broad health and fitness focus. Please keep in mind that we would rather show kids living a healthy lifestyle than dictate a healthy lifestyle to our readers. In other words, health topics should be incorporated into the story or article, not be the focus of it.

Submission guidelines at http://www.uskidsmags.com/writers-guidelines/

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

Emotional Rollercoaster

A friend sent joyous news: She received her first book contract. Congratulations! The ultimate reward for years of diligent effort had finally paid off. Her joy reached the stratospheric level, naturally. As often happens when facing a time lapse between receiving “The Call” and getting the written agreement, nerves jittered. Doubts swirled faster than autumn leaves when the contract wasn’t in the email the next day, or the next, or the next. A week passed. Two weeks. Nerves jittered into emotional chaos. She asked if she should contact the editor about the delay. 

The emotional rollercoaster she experienced is perfectly normal. She worked for YEARS pounding the keyboard trying to nab a contract. After a ton of rejections our neural pathways form in such a way that our brains tell us, not in thought but in emotions/expectations, that a contract is out of reach. We KNOW that we have received the contract; yet we can’t BELIEVE it because our emotions lag behind our cognitive processes. (Disclaimer: This is totally my theory, and I have no scientific data at hand to support it.) 
 

On a personal level, my confidence builds as I sign the contract, and reality sets in big-time with my first read-through of the revision notes. The emotional surge revs to tornadic intensity as doubt, jitters, and downright panic overtake my psyche. I’ve experienced every emotion known to humankind when first reading the suggested revisions. One such set of revision notes was longer than the picture book text. Another set was quite short but memorable: delete the last 5 chapters and rewrite, focusing on the child and grandparent. Snap! The best-friend scenes and chapters waved bye-bye, just like that. I gasped for breath, walked away from the computer, and did normal things the rest of the day, steering clear of the email communication. In the meantime, I began thinking about how I could develop the story. The revisions improved the stories, by the way, so the editors were correct. And I lived. The revisions (yes, more than one) failed to kill me. 
 

Publishing books is a slow business. Revision after revision is usually required. Editors work on several projects simultaneously, which slows the process even more. Two years in production for picture books remains typical with traditional publishers.  
 

The excitement, jitters, and doubt are critical to the writer’s journey. Embrace them and enjoy making the book the best it can be. Oh, and give the editor extended time to make contact. S/he will appreciate it.

 

 

[Beginning this week, I will include Calls for Submissions for Young Writers in each blog through April 2019.]

 

Call for Submissions for Young Writers:

Bazoof. Youth submissions accepted from around the globe from all ages, with different genres and length requirements depending on age of contributor. Readers can find short stories, comics, games, craft & art projects, jokes, riddles, sports reporting, articles on pets, recipes, personal achievements and community service projects, poetry, letters, true stories and much more!

Submissions: http://www.bazoof.com/submit/

Call for Submissions for Adult Writers:

Call for Submissions: Children’s Activities

Deadline: September 30, 2017

SPIDER (for ages 6-9) and LADYBUG (for ages 3-6) are looking for children’s activities. This includes clearly worded, playful step-by-step directions for crafts, activities, games, science experiments, and recipes for children ages 3 to 9. The strongest activities will engage a child’s imagination and creativity, can be done at home, and require little adult supervision. We also seek word games, tongue twisters, jokes, riddles, picture-based crossword puzzles, and foreign language activities.  

Submission guidelines: https://cricketmag.submittable.com/submit 

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

Picture Book Revision, part 2

            Tips on revision, continued:

My thought processes rely heavily on verbs that don’t show action: is, are, was, were…. In revision, I eliminate many of the non-action verbs and replace them with other verbs that paint a specific picture (pedaled, skipped, barked). Action verbs don’t need modifiers, so fewer words are needed to describe the scene.

Add rhythm. Alliteration (fog floated) makes the prose livelier. Onamonapia (bumpty-bump) adds a beat that sounds like poetry when read aloud. Rhythm is how the words connect, a rise and fall of the phrases and sentences.

Less dialog. Picture books don’t rely heavily on dialog. Usually, dialog is no more than 1/3 of the text, often much less. Rather than conversations, use action scenes that can be illustrated with the narrator relating the action. The targeted audience is young children who prefer fast action to character conversation, which often slows the action. Of course, this is a general rule. Some books have no dialog, and some are all dialog.

Let the illustrations tell part of the story. Picture book writers have to think visually. When I write a first draft, I include scenes that describe illustrations. In revision, I study each word, phrase, and sentence; then, delete everything down to the bare action. Sometimes I cut so much, I have to add it again to make the story understandable. Picture books are short and the stories are to the point.

Every page in the book must show action and the pace is usually fast. After writing the first draft, I divide the manuscript into 13 scenes. Each scene must show action. If not, more revision is required.

Next week, I’ll add more tips.

Call for Submissions for Adult Writers:

Narrative is strongly committed to supporting our authors’ work. Our current rates for work are as follows:—$150 for a Story of the Week, with $400 each for the annual Top Five Stories of the Week.
—$150 to $350 for 500 to 2,000 word manuscripts.
—$350 to $1,000 for 2,000 to 15,000 word manuscripts.
—Rates for book-length works vary, depending on the length and nature of the work.
—$50 minimum for each accepted poem and audio piece. ($25 for poetry reprints.)
—$200 each for the annual Top Five Poems of the Week.FIRESIDE

Submission guidelines at http://www.narrativemagazine.com/node/360

To Outline or Not

The thought of outlining a manuscript is so daunting to some writers they avoid it entirely. To others, this prewriting phase is a necessity. I fall into the second category for a number of reasons.  

The main reason, since I’m not a workaholic, is the simple fact that outlining makes writing easier. Working smarter, not harder gets my vote. Before I write the first word of a story, I need to have at least a vague idea of the ending. Now, all is need is the middle. The outline works like a roadmap to get me from the beginning to the ending in the straightest path.  

My outlining is simple and basic. If I’m writing a picture book, I write the general idea for the beginning; then add the plot points and on to the ending. By spending time thinking about the story as I outline, I become more familiar with the characters, their actions and reactions, and the order in which events should happen. Does this mean that I will strictly adhere to this order? Probably not, but it does provide direction.

An outline forces me to consider various ways the information can be revealed, which is the structure or skeleton of the story. In my Whose series, I used a question and answer structure, which worked well. With On the Banks of the Amazon, I used a fiction-nonfiction parallel structure. The first paragraphs on each page were nonfiction. A fiction paragraph followed.

When I decide on the structure, I outline the fiction or nonfiction story basics. In the Whose series, I outlined the animals I would use and in what order. Once I have the structure established, I can research and add meat to the form with specific details. Figuring out the structure prior to writing helps to organize the plot logically, so there is less time spent revising.

Next week, I’ll discuss more reasons why I outline.

Call for submissions for Young Writers:

Rookie. Call for submissions! Here’s what we’d love to see from you, Rookies! (And continue to check back, as we’ll keep adding to this list.) All of these must be sent to submission@rookiemag.com. Please include your name and age, and use the subject line specified for each post.

1. Poetry Roundup. Each month, we publish a roundup of poetry written by you. If you’d like us to consider your work for January’s roundup, please email it to us by Friday, January 14, with the subject line: Poetry Roundup.

2. Advice questions. These can be sent in any time. Life ’n’ love go to youaskedit@rookiemag.com, and beauty ’n’ style go to beautyandstyle@rookiemag.com.

3. Instagram. We want to see your artwork and photography! Post it on Instagram with the hashtag #lookrookie and we will take a peek and may regram it or spotlight it in our weekly newsletter!

Submission guidelines at http://www.rookiemag.com/submit/ 

Call for submissions for Adult Writers:

Chicken Soup for the Soul. Dreams, Premonitions and the Unexplainable. (Formerly titled Dreams & Synchronicities) Sometimes magic happens in your life. You have a dream that reveals a truth or a course of action to you. You have a premonition that changes your behavior and saves you or a loved one from disaster. You meet someone at just the right time and you can’t believe the coincidence. We’re collecting stories for a second book on this topic, following our bestseller Chicken Soup for the Soul: Dreams and Premonitions. Share your stories about the amazing things that have happened in your own life.

The deadline date for story and poem submissions was May 31, 2016 but it has been extended to JANUARY 31, 2017.

Submission guidelines at http://www.chickensoup.com/story-submissions/possible-book-topics

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

New Year, Old Manuscripts

One of the best perks of being a full-time writer is the freedom to choose one’s own hours and space. A flexible work schedule is conducive to productivity, right? Yes, and no. This lack of structure can be conducive to lack of productivity. We have no one to answer to (excluding ourselves) and no accountability for what we accomplish in a particular period of time.

The solution for me is to set goals, those elusive targets that are attainable, measurable, and effective. And what better time than now when a brand spanking new year dawns.  

Last year, I set a goal of rewriting old material that had a budding future. No new material would percolate from me until I had exhausted the potential of manuscripts stored away in the dungeon of my computer. I reread numerous picture book manuscripts and a chapter book that looked promising. One-by-one, I began a revision and pitched each to my critique partner. (Thanks, Sandi!) 

My specific goal for each was to evaluate the marketability of the piece and to rewrite with a stronger voice and according to more current standards, such as shorter word count. Some of the buried manuscripts bore little similarity to the newly minted versions. 

By following this literary roadmap, I revamped each piece from beginning to end.

Attainable? Yes, I revised several.

Measurable? Yes, I garnered FOUR contracts.

Effective? Yes, times 4. 

My goal for this year is to revise more of my buried tales. (Are you ready, Sandi?) 

Call for submissions for Young Writers

Bazoof! General submissions are welcome from youth (ages 7-14) or their parents/caregivers. Stories are welcome from youth of any age. Some ideas of what you could send:

·         Letter

·         Short story (12 years and younger: 500 words or less; 13-18 years: 900 words or less; Doesn’t include any violence, fighting, not too scary, gruesome, or dark natured. Must be suitable for readers ages 8-12 years).

·         Poem

·         Craft idea

·         Drawings

·         Photo of your pet

·         Photo of you doing an activity you enjoy

·         Picture of a project that you made

·         Recipe

·         Game or puzzle

·         Jokes or riddles

·         Tell me about a sport you enjoy playing or a musical instrument

·         Or any other ideas you have!

Submission guidelines at http://www.bazoof.com/submit/ 

Call for submissions for Adult Writers:

Bumples is an interactive publisher for children ages 4-10

Submission guidelines at https://www.google.com/?gws_rd=ssl#q=bumples+submissions

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Picture Book Savvy, Part 3

Picture book text keeps getting shorter. A couple of decades ago, the target number for most publishers was 1000+. Not today. In order to write a successful picture book for traditional markets, the action has to be distilled into as few words as possible. The story idea should be weighty to provide a narrative tale with a beginning/middle/ending, leave space for illustrations to tell part of the story, and connect with the audience in a positive way.  

Rhythm and cadence are essential, and word choice is the key. Follow your own voice by telling the story as only you can. Write in such a way that your unique storytelling rings throughout. That’s what will define your career. 

Editors are looking for fresh voices, stories that make them stop to reread a sentence and offer something to make them continue reading the next. They want to be enlightened, amused, enthralled, baffled by the actions or questions posed. This does not come from the first draft. Every story needs to be revised until its patina glimmers. 

Revision takes time. Give your manuscript some time off. Walk away and work on another story. This absence is vitally important in order to review your work later with fresh eyes.  

Hand your glimmering draft over to a set of new eyes. Find a critique partner who has read lots of books and who is a practicing writer. Feedback from an informed writer helps you understand what works and what does not. 

One of my dad’s favorite authors, Louis L'Amour, said it this way: Start writing, no matter what. The water does not flow until the faucet is turned on.  

Call for submissions for Young Writers:

Hanging Loose Magazine welcomes high school submissions.

* Send all work to High School Editor, Hanging Loose, 231 Wyckoff Street, Brooklyn, NY 11217. Please also send us a note identifying yourself as a high school age writer, and telling us
your age, and be sure to include a self-addressed stamped envelope with sufficient return postage.
* Send 3 to 6 poems, or 1 to 3 short stories, or an equivalent combination of poetry and
prose. This enables us to get a good idea of what your work is like.
* All work should be neatly typed. High quality photocopies or readable computer-generated
hard copies are acceptable. A brief biographical statement is welcome. We are always interested in knowing how you found out about us, what school you attend, and so forth.Please Note: We prefer to receive submissions from young writers themselves, rather than from their teachers. We strongly discourage teachers from submitting samples of work from members of their classes. Similarly, we discourage teachers from asking students to submit their work as a class assignment. We prefer teachers to encourage students who take themselves seriously as writers to write us directly.

Hanging Loose has long been known for its special interest in new writers. We read manuscripts throughout the year and we look forward to reading yours.

Submission guidelines at http://hangingloosepress.com/submissions.html 

Call for submissions for Adult Writers:

Storytime Magazine. From spring 2017, we’ll be publishing one new short story in every Storytime issue, which will be credited to its author. If your story is selected, that’s your name and your creation in print forever – and beautifully illustrated to boot! Not only that, but you’ll be part of Storytime’s mission to keep short stories alive and to help children fall in love with reading for pleasure!

Submission guidelines at http://www.storytimemagazine.com/news/making-storytime/open-for-story-submissions/ 

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.