Writing Children’s Books with Child Appeal, Part 2

Fictional picture books often deal with the character solving a problem, and in doing so, the writer’s job is to show the character’s emotional state. A character’s feelings are the gateway into the story.  Emotions make readers feel, make them hunger for the character to overcome the obstacles, and cheer for the victory. Without the emotional stakes, readers are not drawn into the character’s world, so they don’t care. Make readers feel. Make them care. With each scene, consider how the reader will react. Is the event something in which the child can identify? If children see themselves in a story, they identify with it and request it for storytime, over and over. 

Mountains of children’s books have been written on every subject that interest children of every age. Making a book different in some way so it can compete in a highly competitive market is necessary. One way to do this is to write about some thing or experience in which a child is familiar and flip it to present the information or story in a fresh and engaging way. A retelling of a fairy tale from the voice of a minor character: Example: Cinderella as told by the pumpkin or the glass slipper.  

Page turns are fun for the readers and add a ton of child appeal. This approach keeps adding surprises as the story unfolds. Here are three ways to add page turns.

1.      Stop in the middle of a sentence and complete it on the following page. Readers enjoy this because it allows them to predict what my happen next. The more a reader is engaged in a story, the more appeal it has.

2.      Use part of a compound word on one page and the remainder on the next. Example: He found a rattle…snake in the grass.

3.      Transitions words are fun to heighten the interest of turning a page: then, when, but, etc. 

In my next blog, I’ll continue with more ideas for writing books with child appeal.

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com 

Call for Submissions for Young Writers:

KidSpirit accepts submissions of poetry, artwork, and nonfiction articles from 11- to 17-year-olds everywhere. Except for artwork, all work should be related to the following themes:

Unity and Division (Fall 2017)
Creation and Destruction (Winter 2017/18)

Submission guidelines at https://kidspiritonline.com/get-involved/ 

Call for Submissions for Adult Writers:

One Teen Story is a literary magazine for teens and adults who read young adult fiction. They publish 12 issues a year digitally and in print. Each issue contains only one story.

They pay their authors $500 dollars and 25 contributor copies for first North American serial rights. The rights revert back to the author after publication.

Submission guidelines at http://www.authorspublish.com/one-teen-story-now-open-to-submissions/Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. Check out her blog at www.nancykellyallen.com

Word Count for Children's Books

A beginning writer recently asked me about the word count of children’s books. No specific answer qualifies for every publisher, but here is a general overview: 

Board books: 0-100 words. 

Fiction picture books range from 0 to 500 words. These books keep getting shorter. Nonfiction titles are often longer. 

Early chapter books for 5-7 year-olds are illustrated and range 1,000-7,000 words. 

Chapter books for the older audience, ages 7-9, range up to 15,000 words.  

 

Middle-grade novels for ages 8-12 are usually between 20,000-45,000 words, maybe more. My middle grade novel, AMAZING GRACE, topped out at 33,000. 

YA (Young Adult) novels range higher: 50,000-85,000. 

Publishers set their own parameters for word length. There are many variations, but these are generally acceptable. 

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

 

To Outline or Not

The thought of outlining a manuscript is so daunting to some writers they avoid it entirely. To others, this prewriting phase is a necessity. I fall into the second category for a number of reasons.  

The main reason, since I’m not a workaholic, is the simple fact that outlining makes writing easier. Working smarter, not harder gets my vote. Before I write the first word of a story, I need to have at least a vague idea of the ending. Now, all is need is the middle. The outline works like a roadmap to get me from the beginning to the ending in the straightest path.  

My outlining is simple and basic. If I’m writing a picture book, I write the general idea for the beginning; then add the plot points and on to the ending. By spending time thinking about the story as I outline, I become more familiar with the characters, their actions and reactions, and the order in which events should happen. Does this mean that I will strictly adhere to this order? Probably not, but it does provide direction.

An outline forces me to consider various ways the information can be revealed, which is the structure or skeleton of the story. In my Whose series, I used a question and answer structure, which worked well. With On the Banks of the Amazon, I used a fiction-nonfiction parallel structure. The first paragraphs on each page were nonfiction. A fiction paragraph followed.

When I decide on the structure, I outline the fiction or nonfiction story basics. In the Whose series, I outlined the animals I would use and in what order. Once I have the structure established, I can research and add meat to the form with specific details. Figuring out the structure prior to writing helps to organize the plot logically, so there is less time spent revising.

Next week, I’ll discuss more reasons why I outline.

Call for submissions for Young Writers:

Rookie. Call for submissions! Here’s what we’d love to see from you, Rookies! (And continue to check back, as we’ll keep adding to this list.) All of these must be sent to submission@rookiemag.com. Please include your name and age, and use the subject line specified for each post.

1. Poetry Roundup. Each month, we publish a roundup of poetry written by you. If you’d like us to consider your work for January’s roundup, please email it to us by Friday, January 14, with the subject line: Poetry Roundup.

2. Advice questions. These can be sent in any time. Life ’n’ love go to youaskedit@rookiemag.com, and beauty ’n’ style go to beautyandstyle@rookiemag.com.

3. Instagram. We want to see your artwork and photography! Post it on Instagram with the hashtag #lookrookie and we will take a peek and may regram it or spotlight it in our weekly newsletter!

Submission guidelines at http://www.rookiemag.com/submit/ 

Call for submissions for Adult Writers:

Chicken Soup for the Soul. Dreams, Premonitions and the Unexplainable. (Formerly titled Dreams & Synchronicities) Sometimes magic happens in your life. You have a dream that reveals a truth or a course of action to you. You have a premonition that changes your behavior and saves you or a loved one from disaster. You meet someone at just the right time and you can’t believe the coincidence. We’re collecting stories for a second book on this topic, following our bestseller Chicken Soup for the Soul: Dreams and Premonitions. Share your stories about the amazing things that have happened in your own life.

The deadline date for story and poem submissions was May 31, 2016 but it has been extended to JANUARY 31, 2017.

Submission guidelines at http://www.chickensoup.com/story-submissions/possible-book-topics

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

The following trends seem to be what editors are currently looking for. Check the previous blog post for the remainder of the list.

Diverse books are popular. These works represent a wide range of cultures, family structures, and experiences. The books are about diverse characters that reflect the real world, but the stories themselves are not about diversity. Subject matter includes economic disparity, race, religion, and disability. Authentic characters and a great imagination can lead to a contract.

Nonfiction for all age group continues to grow. Writers are finding innovative ways to approach a wide range of subjects. Nonfiction has evolved into a broader definition. Author’s voice and the structure of how the story is formatted and told offer innovative approaches to new nonfiction titles available today. Back matter is information located in the back of some nonfiction titles.

Creative nonfiction is a growing market. These books read much the way fiction stories do. I used a combination of poetry and prose in my eBook, IF CLOUDS COULD TALK. Editors want more creative nonfiction, especially on subjects that have not been extensively covered.

STEM (Science, Technology, Engineering, and Math) books are increasingly used by schools and home schooling advocates. My first book, ONCE UPON A DIME, involves the reader using math to figure out how much money grew on the tree each season.

Writers who tap into these types of books and storytelling improve their chances of getting their books picked up by publishers.

Since no overwhelming trend dominates and because children’s literature spans a wide range of age groups, an individual title can shine. Strong writing and creative approaches to subjects always prevail.

Call for submissions for Young Writers: 

Patricia Grodd Poetry Prize for Young Writers. Restrictions: Open to writers aged 16-18. Genre: Poem (1). Prize: Full scholarship to The Kenyon Review Young Writers workshop, an intensive two-week summer seminar for writers aged 16-18. Deadline: November 30, 2016.  

Submission guidelines athttp://www.kenyonreview.org/contests/patricia-grodd/

Call for submissions for Adult Writers:

Upworthy reaches a massive audience with meaningful stories every day, and we're looking for original stories that support our mission of creating a better world. That's where you come in. We're currently accepting pitches from freelancers for stories that are:

Surprising: Is the topic, narrative, character, or outcome something truly new?

Meaningful: If a million people saw this story, would it make the world a better place?

Visual: Are there enough visual elements to engage readers who might be skimming on a phone?

Shareable: Would you share it? Would your friends share it? Most importantly, would your mom's friend share it?

Our stories are generally short (usually less than 500 words), but we're open to unusual ideas that will resonate with millions of people, and we love to experiment. Most stories of this short length will be paid at a fair base rate with traffic and distribution bonuses, and all of that will be hashed out in your contract if we decide to work together.

Submission guidelines a thttps://www.upworthy.com/pitch-us

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Writing Nonfiction Picture Books

Many nonfiction books are meant to entertain as well as inform, but the emphasis is on the information. The facts must be accurate. In picture books, facts support the illustrations as opposed to books for older readers in which the illustrations support the facts. The illustrations are large with a small amount of text per page, in most cases. 

In writing fiction, authors ask, “What if…” In nonfiction, authors ask, “Is it true?” The goal is to provide enough information to convey the concept without overwhelming the reader. The amount of information and detail is determined by the target audience. When I wrote BARRELING OVER NIAGARA FALLS, a biography of Annie Edson Taylor, the first person to ride a barrel over the Falls, I focused on her method of preparing for the risky ride. I knew readers would be interested in other daredevils, so I added author notes at the end of the book to inform readers. By adding the notes at the end, I did not overwhelm the text with information that detracted from the biography. 

As with fiction, nonfiction requires a strong narrative voice. Authors have the creative license to use lyrical, upbeat, slow drawl, funny, serious…the list goes on. The narrative style is often based on the subject. Think about the angle, the approach to the telling of the tale. Nonfiction focuses on facts but the facts must not be presented in a tired, boring manner. Use unusual or unexpected word choice, similes, metaphors and other literary devices to breathe life into the work.  Delight the reader as well as inform.  

Call for submissions for Adult Writers

American Cheerleader is published four times a year and is available in both print and digital form. Topics they seek include: biographies, interviews/profiles of sports personalities, cheering how-to, health, beauty, careers, fashion, and sports.  

Submission guidelines: If you have a story idea, email editor at editors@americancheerleader.com.

Writing Nonfiction Picture Books

Which type of picture book is published in greater numbers, fiction or nonfiction? If you answered nonfiction, you are correct. The demand for nonfiction titles is growing, in part due to their use in elementary classrooms. Today’s nonfiction incorporates dramatic narrative and engaging language and reads with as much appeal as fiction. 

Creative nonfiction uses elements of fiction with nonfiction facts woven into the text. In my book, ON THE BANKS OF THE AMAZON, I used two characters, a boy and a girl, that watched the animals of the Amazon rainforest at the same time the animals watched them. I embedded factual information about the various animals into the story. 

As you develop the structure of the story, think of the way you want to reveal the information. I first began by listing the animals I wanted to use but I did not have a structure that seemed to work. A simple listing of one animal after another at page turns wasn’t creative or engaging to me so I knew it would not be for the reader either. 

I played with different approaches and realized that some of the animals were awake earlier than others and some prowled at night. That was my Ah-ha moment. The structure would be circular and some animals would appear in the morning, some midmorning, afternoon, twilight, night, and back to the next morning. Of course, I had to rethink the animals I used to fit the structure that made the story unfold in a natural, interesting way. 

Call for submissions for Adult Writers

Dagan Books, Ltd. is now reading for the next issue of Lakeside Circus (est. 2013), a speculative fiction magazine published quarterly with selected stories published at its website. The editor curates short spec fiction stories of under 2500 words.The editorial team is open to other subgenres of science fiction, including urban fantasy, magic realism, horror, the weird or the surreal, doomsday themes, mad science, etc. The ideal story is layered with meaning, driven by an odd, dark, stylish or extraordinary plot without the story evolving into something too strange to understand. Stories must have a fully fleshed out beginning, middle and end, regardless of how short the story runs. - See more at: http://writingcareer.com/post/140458065201/lakeside-circus-magazine-seeks-speculative-fiction#sthash.VeFWyfSV.dpuf

Submission guidelines at https://coffintreehill.wordpress.com/2015/03/17/ongoing-submissions-lakeside-circus/

Let’s Talk Picture Books, Part 5

Earlier, I mentioned that editors did not often swoon when receiving submissions written in rhyme. I’m still on a roll of what they do not want.

Stories about inanimate objects that come to life are difficult to write and difficult to nab a contract. Two train stories have become popular: THE LITTLE ENGINE THAT COULD and THOMAS THE TANK ENGINE so exceptions are made.
 

THE GIVING TREE is also a wonderful classic about an inanimate object, but a book about a window that won’t open or a rock that can’t roll will probably not garner more than a rejection letter. Children want stories in which action impacts plot, where something happens. It is difficult to develop an inanimate object as the main character in a picture book. This works better in videos where sound and motion work together to build the character. THE DAY THE CRAYONS QUIT is also another example that inanimate objects can work, but it doesn’t seem to happen often in the publishing world.

Dolls and toys as the main characters can work. Children relate to these, such as the VELVETEEN RABBIT. Dolls look like people and it’s easy to imagine them becoming real.

What works best as main characters are children and animals, because a young child relates to both. By attributing human frailties to animals make them seem real. Kids identify with the characters’ weaknesses and mistakes. Many popular picture books showcase imperfect characters that grow and learn. Engaging, humorous stories that inspire and can withstand multiple readings are always searched for by editors and agents. 

Call for Submissions for Young Writers:

Kiki Magazine An independent magazine owned and operated by women who care about girls.Kiki uses the college fashion design curriculum to tap into girls' creativity, including business, fine art, craft, history, world culture, math, and even chemistry. The publication accepts submissions of illustrations, artwork, photos, or articles from all ages.

Submission guidelines at submissions@kikimag.com

Call for Submissions for Adult Writers:

Humpty Dumpty

Magazine (ages 2-6)

FICTION: We accept full manuscripts of 600-800 words. The tone of the stories should be fun and engaging. Stories should hook readers right from the get-go and pull them through the story. Humor is very important! Dialogue should be witty instead of just furthering the plot. The story should convey some kind of positive message. Possible themes could include self-reliance, being kind to others, appreciating other cultures, and so on. There are a million positive messages, so get creative! Kids can see preachy coming from a mile away, though, so please focus on telling a good story over teaching a lesson. The message—if there is one—should come organically from the story and not feel tacked on.

NONFICTION: We accept nonfiction manuscripts of 700 words or less. We are especially interested in features or Q&As with regular kids (or groups of kids) in the Jack and Jill age group who are engaged in unusual, challenging, or interesting activities. No celebrity pieces please.

POETRY: We accept poems of up to 30 lines. Poems should include unique topics that appeal to kids like sports, pets, friendship, seasonal activities, vacations, and school activities.

PUZZLES, ACTIVITIES& GAMES: In general, we prefer to use in-house generated material for this category but on occasion we do receive unique and fun puzzles, games or activities through submissions. Please make sure you are submitting a truly unique activity for our consideration.

Submission guidelines at http://www.uskidsmags.com/writers-guidelines/

 

 

 

Writing a Middle Grade Novel/Call for Submissions

Readers enjoy fiction because they are emotionally involved with the character and plot of the story. If the reader’s emotional experience is powerful, the writer has succeeded. If not, it’s time to relook the scenes. 

The fundamental unit of fiction is the scene. A novel is basically a series of scenes strung together like beads on a necklace. The scenes form a beginning, middle, and ending with the character trying to reach a goal. Each scene needs conflict and change. 

In writing each scene, keep the following in mind: 

Is this scene carrying the plot forward?   

Quickly get the character involved in the action. This is the stimulus, the something that happens to the character. The something should cause conflict. (No conflict, no story.) The conflict should result in some kind of problem or disaster when the character fails to meet the goal.  

Hook the reader with surprising action. A lost dog or an embarrassing experience or a big disappointment or worse trouble. If the reader can guess the character’s every action and reaction, the story will seem trite and dull. 

Next week, I’ll continue to discuss scene development. 

Call for Submissions for Young Writers:

BOP readers, it's a dream come true! It's time for you to be a BOP reporter! Tell us your stories and one might be printed in a future issue! We can't wait to hear from you!

Submission guidelines at http://www.bopandtigerbeat.com/be-our-bop-reporter/

Call for Submissions for Adult Writers:

Creative Nonfiction magazine is seeking new essays for an upcoming issue dedicated to WAITING. We want your well-crafted true stories of delays, postponements, and pauses that explore and examine our relationship with time. Whether you're waiting patiently or not, on tables or for Godot, however you approach the subject, we can't wait to read your work. 

Submissions must be 4,000 words or fewer. $1,000 for best essay; $500 for runner-up. 

Deadline: September 22.

Guidelines at www.creativenonfiction.org/submit

Writing a Middle Grade Novel, Calls for Submissions

Today, I’m continuing the series, Writing a Middle Grade Novel, focusing on pacing. 

Another way to keep the pace of the story moving along is look at the scene as if you’re a photographer. Think visually. What is happening close-up? Take the reader on the journey so s/he can feel, see, hear, taste, and touch the scene. Is there a tear in the dress, is the whimpering that of a dog or a child, or is the burr sticky? Let the readers discover these things as if they were there. 

Pacing differs with the scene. Long sentences tend to slow the pace and short sentences speed the action. If there is a fight scene, short sentences, even one-word can be powerful. Pow! Onomatopoeia (crash, bang, boom) add zip to the story. Sentences can be shortened by eliminating prepositional phrases to move the action along at a faster clip. Instead of writing “the rooms in the cave” state "the cave’s rooms.” 

Action verbs and strong nouns work better because they are specific. Avoid the overuse of adverbs and adjectives. He ran quickly doesn’t work as well as He sprinted.

Cliffhangers are great devices to speed up the action. When a chapter ends with lots of suspense, the reader quickly turns the page to find out what happens next. 

Short chapters and scenes are effective ways to speed up the story. 

Slow scenes and fast-paced scenes both work well. The key is to use the best speed and rhythm for each scene in your manuscript. 

With this blog I’m resuming Call for Submissions for Young Writers. I’ll continue posting these through May, 2015.  

Call for Submissions for Young Writers:

The Louisville Review. The Children's Corner, work by students in K-12.

Fiction, Poetry, Creative Nonfiction, and Drama

Submissions of previously unpublished manuscripts are invited. Prose submissions should be double-spaced and page numbered. Poetry (up to 5 poems) need not be double-spaced. Drama should appear in standard format. Include name on every page. Reply time is 4-6 months. Our editorial staff reads year around. Submissions are recycled. Poetry and prose should be submitted in separate envelopes.

Submission guidelines at http://www.louisvillereview.org/

Call for Submissions for Adult Writers:

ASK is a nonfiction magazine for children 7-10 years old who are curious about science and the world they live in. Each edition of ASK is built around a central theme on some question or concept in the natural, physical, or social sciences, technology, mathematics, history, or the arts. ASK introduces kids to the joys of thinking, writing, and observing scientifically, and presumes them to be active participants in the ongoing search for better knowledge about the world.

ASK articles should read as engaging nonfiction, not like school textbook or encyclopedia material. Intended to be accessible and appealing to newly independent readers (grades 2-5), the ideal ASK article should also be interesting to any general adult reader. ASK looks for articles that are concrete, specific, and relevant to this age group. They should tell a good story, with an emphasis on ideas rather than just facts.

Submission guidelines:

http://www.cricketmag.com/19-Submission-Guidelines-for-ASK-magazine-for-children-ages-7-10

Writing a Middle Grade Novel, part 12/Calls for Submissions

Today, I’m continuing the series, Writing a Middle Grade Novel.

Description is used to enhance fictional stories. Check out the following ways:

Description is a major factor in voice, that elusive quality all editors rank as the number one aspect they are looking for in writing. The narrative, either first person (I) or third person (he/she), usually begins with a description of action. This imaginative observation is essential to all stories. Rain fell is a simple description but doesn’t do much to add interest. Kentucky rain smells different from Chicago rain. That sentence makes us stop and ponder.

Words that surprise us add to descriptive narrative. I like the word ponder. It’s not used that often in today’s speech so it catches the reader’s ear.

The pacing of the story is affected by description. Long passages slow down the action. He strolled down the lane beneath the canopy of trees that formed a green tunnel and offered cool comfort from the hot afternoon sun. Short phrases and sentences speed up the pace. Horses paced. Clippity clop. Clippity clop.

 Next week, I’ll give more tips on writing descriptive passages.

Call for Submissions for Young Writers:

[I will resume Submissions for Young Writers in September]

Call for Submissions for Adult Writers:

Thriving Family editorial team's most recent call for submissions. If you are new to our publication, you may want to know more about Thriving Family by ordering a free subscription or downloading a free digital edition. You can also download our writers' guidelines and a themes' list.

Theme: Christmas conflict and teens—in relation to extended family.
Word Count: 750-800 words (including any possible sidebars)
Rights: First nonexclusive rights
Payment: $250, on acceptance
Due date: June 17, 2014
Audience: Parents of teens
Byline: Yes

Acceptance or Rejection: The Focus on the Family editors appreciate your submission. If your article was not accepted by 7/1/14, it was not chosen for publication. We hope to work with you on a different article at a later time.
Submit to: Teen.Phases@fotf.org <mailto:Teen.Phases@fotf.org>  with "Attn: Ginger—Christmas conflicts and teens" in the subject line.

Submission guidelines at http://www.thrivingfamily.com/extra/call-for-submissions