Building Tension and Suspense

In most fictional picture books, MG and YA novels, the character faces a problem or goal. The story builds as the character makes multiple attempts to solve the problem or reach the goal. Think about the part leading up to the moment of victory. Slow down the action in this part of the story, so you won’t reveal the outcome quickly. Slowing the action builds tension. Tension builds suspense. The suspense keeps the reader hanging on to know more, cheering on the protagonist, and holding on to finish the story.

So how do writers slow down the action? One way is to add details that delay the resolution. In Barreling Over Niagara Falls, I focused the action between the barrel ride and the crowd who watched the daredevil stunt. Refocusing the text between the main character’s action of dropping over the Falls into the pool of water and turning the page to reveal the people watching, prolonged the reader from knowing the final outcome.

Another way to slow action is to write longer sentences. Short sentences speed the action, and longer sentences slow it.

Think about ways to slow the action in order to build tension and hold the reader’s attention to the last page.

Call for Submissions for Young Writers:

Hanging Loose Press. Send up to six poems or short stories, or an equivalent combination of poetry and prose.

Submissions guidelines at Send up to six poems or short stories, or an equivalent combination of poetry and prose.

Call for Submissions for Adult Writers:

Chicken Soup for the Soul. Our cat titles are so very popular, and you have so many great stories to share with us, that we do a new cat title every eighteen months or so. Here is another chance for you to share a story or two about the member of your family who just happens to walk on four feet!

We are looking for first-person true stories and poems up to 1200 words. Tell us about the magic of your cat or the magic of a cat you know. Stories can be serious or humorous, or both. We can’t wait to read all the heartwarming, inspirational, and magical stories you have about a cat and the magic that cat brings to your life or the life of your family!

Submissions guidelines at Submissions guidelines at https://www.chickensoup.com/story-submissions/submit-your-story

Nancy Kelly Allen has written 48 children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Leave a message or check out my blog at www.nancykellyallen.com

“Write” Start: Action

Action is another way to open a story, whether it’s a picture book, chapter book or YA novel. The official term is in media res, Latin for “in the midst of action.” Delving the reader into the exploits of the main character establishes the stakes at risk and ups the tension. I used this style of opening in FORTY WINKS. A dragon zoomed around the child’s room at night, waking him. 

Opening a story with action places the reader in the middle of the scene as it is taking place. It’s been used for centuries, as far back as the Roman poet Horace who stated that an epic poem should not begin “from the egg” but should “snatch” the listener “into the middle of things.” It kicks the story off in the middle of the plot. 

To begin with action, something happens. The action may be near the beginning of the story, or closer to the middle or ending. The writer then backtracks to introduce the character and the situation.

Call for Submissions for Young Writers:

The Louisville Review accepts accepts submissions of previously unpublished poetry from students in grades K-12. Seeks writing that looks for fresh ways to recreate scenes and feelings. Honest emotion and original imagery are more important to a poem than rhyming and big topics—such as life, moralizing, and other abstractions. Parental signature must accompany submissions. Unsolicited submissions of fiction, poetry, nonfiction, and drama year round. All work must be previously unpublished. Reply time is 3-6 months. Simultaneous submissions are accepted, but please notify us promptly via email if your work is accepted elsewhere. All submissions are considered based on quality of writing above all else.

Submissions guidelines at http://www.louisvillereview.org/submissions/

Call for Submissions for Adult Writers:

East of the Web. East of the Web is keen to provide exposure for writers by offering them a place where their work will be seen and read in a high quality, respected setting. The site receives about half a million unique visitors per month, so successful submissions are likely to be viewed by more readers than in almost any other short story publication. In addition, the site receives attention from agents, the press, film makers, schools, universities and other publishers.

Submissions guidelines at http://www.eastoftheweb.com/short-stories/Publishing.html

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Leave a message or check out my blog at www.nancykellyallen.com

Writing Visually

Most of the books I’ve written are picture books. They look simplistic. Not! This type of writing uses two techniques to tell a story: words and pictures. The story moves and changes with every sentence, and every page needs action so the illustrator can assist in moving the story forward. 

Illustrations do more than capture images of the text. They also capture the mood and behavior of the character. The setting and plot are enhanced through the art and give the reader much more information that can be found in the storyline. Some picture books tell more of the story through text and some tell more through illustrations. The range of text-to-illustrations in picture books is wide and varied.

Writers paint with words and the better we paint the better the image. In writing TROUBLE IN TROUBLESOME CREEK, I wrote in the first draft “James ran.” The words would communicate the idea to the reader but not in an interesting way. In revision, the text evolved to “James sure can make the dust fly as he picks them up and puts them down.” Voice is the quality of the writer’s words. That quality is reflected in surprising the reader with your own unique way of describing the action. Clichés water down the quality of writing because the surprise element is missing.

I always consider how my words can support the illustrations and provide hints to the action in the background. This is called writing visually. When I receive the first galley, I’m always amazed to see how the text influenced the art and how the two work together. 

Call for Submissions for Young Writers:

Launchpad. A bimonthly magazine dedicated to publishing fiction, nonfiction, poetry, book reviews, and artwork written and created by children ages 6-12.

Submission guidelines at http://www.launchpadmag.com/write/

Call for Submissions for Adult Writers: 

Bumples is an INTERACTIVE online magazine for children three- 10 years of age. Bumples specializes in illustrated fiction about children and animals in mysteries, sports, poems and fantasies with serialized adventures in each issue.
Stories are uniquely supplemented with puzzles, question games, and activities, all of which makes Bumples storytelling all the more engaging. Interesting information on a topic is always fun to explore after enjoying a great reading experience. Consequently, Bumples adds factual postscripts to complement each story.

Submission guidelines at http://www.bumples.com/WritersGuidelines.aspx?AspxAutoDetectCookieSupport=1

Nancy Kelly Allen has written 48 children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK. 

Leave a message or check out my blog at www.nancykellyallen.com

Think Visually for a Picture Book

I wrote a picture book manuscript. Revised until my eyes threatened to cross. Pitched it to my critique partner for feedback. Revised again. Back to my critique partner, and revised again. 

Since most picture books have two components, pictures and text, the goal is to limit words to the bare essentials. The characters' clothes, house, shoes don’t need to be described, unless vital to the story, because the illustrations will provide those. For writers who are not illustrators, it can be difficult to think visually, eliminating the aspects that can be shown through illustrations.

Lack of description provides space for illustrators to carry the story beyond the text and to develop a variety of picture possibilities. Sometimes illustrations add a second story line. 

Focus the story on action and dialog. Dialog allows the emotion of the character to step off the page.

Introduce characters that reflect the interest of the audience/age group. 

Move characters forward in the plot and into different settings. 

Vary the emotional intensity of scenes.

With a maximum of 600 words or less, omitting description allows writers to delve deeper into the story in a short amount of space.

Call for Submissions for Young Writers:

Amazing Kids! Online Magazine. Do you love writing, art, photography or videography, and are between the ages of 5 to 18? Would you like to be published in the Amazing Kids! Online Magazine? Submit your writing and art; it might just be published in an upcoming issue!

Send your name, age, and state/country when you send us your work. Please keep in mind we only accept kid-friendly, age-appropriate original creative works done by kids and teens. (The work must be appropriate for kids ages 12 and younger) and can be any of the following:

Submission guidelines at http://mag.amazing-kids.org/get-involved/write-for-us/

Call for Submissions for Adult Writers:

East of the Web is keen to provide exposure for writers by offering them a place where their work will be seen and read in a high quality, respected setting. The site receives about half a million unique visitors per month, so successful submissions are likely to be viewed by more readers than in almost any other short story publication. In addition, the site receives attention from agents, the press, film makers, schools, universities and other publishers.

Submission guidelines at http://www.eastoftheweb.com/short-stories/Publishing.html

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.

Leave a message or check out my blog at www.nancykellyallen.com

Formatting a Picture Book

A writer, who is interested in picture books and asked about how to figure out pacing and how to divide the text onto pages, requested this blog.

Picture books should written with page breaks in consideration. Most have 32 pages but with front and back matter only 27-28 pages are used for text, sometimes less. That leaves about 13-14 double-page spreads of illustrations and text.
 
When writing take advantage of the page breaks. Possible ways to use them: 

Surprise the reader when the page is turned.

Vary the action so each double-page spread has a different scene and new action. One way I do this is to write the story; then divide it into 14 scenes. Of course, I have to revise, revise, revise to get pacing I need within the story segments. Some scenes may have too many words. My goal is to write 450 word or less. That number seems to be the “sweet spot” for most picture books.
 
I also make a book dummy by folding 8 sheets of computer paper in half and stapling it. Front and back, the pages number 32. I print my completed manuscript, cut it with scissors and tape the text into the appropriate pages. This helps me know where the story does not work, where I need to rev up the surprises on page turns, or slow the action.
 
I never submit a dummy or a manuscript with page breaks to a publisher unless it is specifically requested by the editor. Most publishers want standard format for submissions.

Call for Submissions for Young Writers:

The Noisy Island seeks new and exciting work from high-school age students in the areas of fiction, poetry, and songs.  We want to be an online journal that people actually read, so send us the type of work that you like to read and the type of music that you like to hear.  

Submission guidelines at https://thenoisyisland.tumblr.com/about 

Call for Submissions for Adult Writers:

Spider Magazine, published by Cricket Media, seeks stories, poems, articles for children on theme of Over the Rainbow. 

"We would like to see warm family stories, an entire story without gender pronouns, children with different gender expressions, and gentle realistic or metaphorical coming out stories." 

Deadline: April 15, 2018.

Submission guidelines at http://cricketmedia.com/spider-submission-guidelines

Nancy Kelly Allen has written 40+ children’s books and a cookbook, SPIRIT OF KENTUCKY: BOURBON COOKBOOK.
 

Leave a message or check out my blog at https://nancykellyallen.blogspot.com/

Let’s Talk Picture Books, Part 2

Show, don’t tell. In picture books, illustrations show the action so the writer needs to use words to convey emotions and reveal the action, rather than describing what is happening. If the illustrations show the action, little description is needed. Example: Jasper is riding a bicycle in the illustration. Description of the bicycle and Jasper can be eliminated from the narrative and dialog.

Action verbs are our friends. These verbs-slither, crawl, jump, throw-focus on the action rather than description. Avoid overuse of adjectives and adverbs because they describe what is happening. The mantra for picture book writers is “Think visually.” Unless we create art for our books, which I don’t, it can be a difficult task for writers to think of the action in terms of pictures as opposed to narrative description and to omit the parts an illustrator will include. Consider moving the plot forward with action via dialog, strong verbs, and character behavior.

Word choice is key to a picture book and, for me, the most fun in writing. I usually just get the bones of the story in place from beginning to end—the hard part. Once I’m over that hurdle, it’s playtime. I love taking a plain, unemotional, flat sentence and turning it on its dull little head, bounce it around, and see what falls into place. Alliteration, rhythm, similes, and metaphors are word play writers use to be creative with language designed for a particular audience. Tickle the words; tease them; poke and prod them. Enjoy the process. If you’re having fun, you’ll more likely to finish the manuscript and write more.

Next week, we’ll talk more picture books.

Call for Submissions for Young Writers:

Figment. An online writing community from HarperCollins Publishing for writers 13 years old and older to share young adult fiction, short stories, and poetry, give and receive feedback, and enter contests.

Submission guidelines at http://dailyfig.figment.com/category/contests/

Call for Submissions for Adult Writers:

Dialogual is a new magazine seeking submissions year-round on dialogue-only prose.

We seek works on all genres, except erotica. Under 300 words. However, we do not take anything that has been accepted before, or that has appeared on blogs or similar sites. In other words, we want fresh material.

Send your snappiest, wittiest, funniest talks.

Or the ones you think will make us wonder, ponder and think about life.

It can be fiction or non-fiction.  

Submission Guidelines at http://dialogual.wix.com/dialogual#!sub/cqh1

Creating Scenes

Let’s look at other elements needed in scenes.

Action. The sooner the action, the sooner the reader is drawn into the story. The momentum of action carries the reader forward, turning the pages. Remember to keep the action true to the character. A girl might run away from home, but she is not likely to intentionally place her younger sister in harm. One effective beginning is to start a novel with an action scene without explanation. Jump into the action. Backstory is unnecessary as a novel opening and is best revealed and scenes unfold.

Add conflict, tension, or suspense. I began my children’s novel, Amazing Grace, with two mysteries. As the scenes unfolded, the first mystery was revealed. A few scenes later, I introduced the second mystery. Failure creates conflict, tension, and suspense. Allow your character to fail and fail again. Through failure comes learning, experience, and change—elements needed so the character can grow and succeed. Failure is a motivator. It’s what keeps the character determined to continue the quest. Failure and learning creates an emotional growth for the character, as well.

Consider how each scene takes the character to the goal or solution to the problem, the end result. If the scene doesn't do that, scrap it. Save it for the next book.

Call for Submissions for Young Writers:

Cuckoo Chronicle is a bi-annual online literature journal for young writers aged 15-21. We like innovative, original work by young writers, and aim to both support talent development and showcase high quality work. We accept poetry, short fiction, flash fiction, excerpts from longer fiction (providing they make sense as a stand alone piece) and creative non-fiction (not reviews). We also love to receive audio/ video/ film- so send us your songs, performances and illustartions too. We’re also interested in illustrations too. BE CREATIVE.

We also offer a Cuckoo prize of £50 for the best submission of every issue!

All submissions are read by our Editorial Committee made up of young people, also aged 15-21. They decide what goes into Cuckoo, edit pieces and decide on the editorial direction of Cuckoo Chronicle.

Submission guidelines at http://chronicle.cuckoowriters.com/submit/

Call for Submissions for Adult Writers:

2016 SUNDAY TIMES EFG SHORT STORY AWARD.
Writers from around the world are invited to enter the 2016 Sunday Times EFG Short Story Award. The winner will receive £30,000 (US$46,500), making this the most valuable prize for a single short story in the world. The prize is for stories up to 6,000 words in length and there is no entry fee. Stories can be either unpublished or published. If published, the work must have first appeared after 1 January 2015. Writers can enter regardless of their nationality or residency but they must have an existing record of publication in creative writing in the UK and Ireland. Deadline September 24, 2015.

Submission guidelines at http://www.booktrust.org.uk/stefg/entry-form

Creating scenes

A scene is a piece of action, a unit of drama. Novels and chapter books consist of a series of scenes with pieces of narrative connecting them. They are the building blocks of a story.

As you write scenes for your manuscript, keep in mind that each needs a beginning, middle, and end and should reveal information about the character or plot. Scenes often begin and end with chapters. Mystery writer often end scene and chapters with a cliffhanger. Many writers end a scene when there is a major shift in the action.

With each new scene consider these questions:

Where are the characters in the plot?

What information should I reveal?

The answer to these questions will vary with every writer and story.

Time and setting are essential. The “when” and “where” are usually established in the beginning of the story and only need to be implied in following scenes.

Allow the character to act first and think later. Jesse jumped from the high cliff. Falling faster and faster, he promised himself he would never take another dare. This type of opening for a novel is effective because it hooks the reader immediately.

Next week, I'll discuss other ways to develop scenes.

September through May, I will include Calls for Submissions for Young Writers.

Calls for Submissions for Young Writers:

Teen Essay Contest. Gilda's Club of Louisville seeks entries for 4th Annual Write Stuff Teen Essay, Poetry and Visual Art Contest.  Teens who are or have been impacted by cancer are invited to participate through submissions of essays, poems, two-dimensional artwork and videos.  Cash prizes will be awarded to the top three participants in each of six categories - essays written by middle school students connected to cancer, essays written by high school students connected to cancer, essays written by survivors, poetry, artwork and video. Youth in grades 6 through 12 who live in Kentucky or Southern Indiana may enter. Their original writing, artwork or video can be about their own cancer diagnosis or that of a family member or friend.   All entries are due no later than midnight EST, Friday, October 2.

Submission guidelines at http://www.gildasclublouisville.org//writestuff.html

Calls for Submissions for Adult Writers:

The online journal, Waypoints, is open for submissions of journey-themed poetry, fiction, and art until October 1. Published work will be eligible for the Editor’s Choice Award of $50.  The publication seeks writing and artwork that embodies a sense of what you’ve encountered on your journey--places you've been, people you’ve met, and obstacles you’ve traversed.

Submission guidelines at http://waypointsmag.com/submit/

Ways to Improve Writing

Today, I’m continuing the series “Ways to Improve Writing” and focusing on character emotions.

Think of your characters as real people, and like people, some display emotions more easily than others and in different ways. One character may be more verbal and another more physical (hits the wall with a fist.)

The next time you get angry or frustrated or extremely worried, try writing your feelings. Use your anger or anxiousness in a scene to show the character’s emotional “truth.”

Rather than telling how the character felt (Jill was angry) or writing a weak adverb in a dialog tag such as “she shouted angrily,” use strong verbs to convey emotions.

“Shut up. Just shut up,” she said as she stomped out and slammed the door behind her.” This works better because the reader is involved in the action as it is happening and through the use of a strong verb, slammed. The physical cues clue the reader in on what the character’s anger looks like.

When we are extremely upset, our body and hand movements can be jerky and more expressive. Consider using facial expressions to show emotions. A narrowing of the eyes, puffed cheeks, face in a wad, and with kids—sticking out a tongue.

Anger is an interesting emotion. It’s a part of every human so don’t be afraid to let anger energize your character.

Call for submissions for Young Writers:

7th Annual Junior Authors Short Story Writing Contest
INTERNATIONAL WRITING CONTEST
Ages 9 to 21 | All Countries | Free to Enter
Entries accepted in June only (June 1 – 30)

Submission guidelines at http://laurathomascommunications.com/juniorauthorscontest/

Call for submissions for Adult Writers:

HIGHLIGHTS 2015 FICTION CONTEST GUIDELINES. CATEGORY: Mystery stories

PRIZES:

Three prizes of $1,000 or tuition for any Highlights Foundation Founders Workshop. (For a complete list of workshops, visit http://www.highlightsfoundation.org.)

*Entrants must be at least 16 years old at the time of submission.

We welcome work from both published and unpublished authors. All submissions must be previously unpublished and not found online.

Stories may be any length up to 750 words. Indicate the word count in the upper right-hand corner of the first page of your manuscript.

No crime, violence, or derogatory humor.

Entries not accompanied by a self-addressed, stamped envelope will not be returned.

Manuscripts or envelopes should be clearly marked FICTION CONTEST. Those not marked in this way will be considered as regular submissions to Highlights.

SEND ENTRIES TO:

FICTION CONTEST
Highlights for Children
803 Church Street
Honesdale, PA 18431

Deadline:  January 31, 2015.

Submission guidelines: https://www.highlights.com/contributor-guidelines

Writing a Middle Grade Novel/Call for Submissions

This week, I’m continuing my focus on scenes. 

What was the last book you read that you couldn’t put down? You felt an urge so compelling to stop working, pick up the book, and discover what was happening to the character that your mind wandered back to the story time and again. Yeah, that’s the kind of story writers want to write.  

Those stories have more than interesting characters and compelling plots. They have an emotional intensity that draws the reader into the action. Emotion intense scenes are those that have high stakes for the character, critical events that are life changing. Keep the audience in mind. If the reader identifies with the problem, empathizes with the character, or envisions himself/herself in a similar situation, an emotional investment is made. 

In children’s novels, the characters’ situations should reflect what is appropriate for each age group. The plot focuses on external events with less focus on thoughts and feelings of the main character. Young adult novels focus more on internal conflict and less on events happening around them. Of course, there are many exceptions to this and in varying degrees.

Each scene needs a beginning, middle and ending. As one scene ends, transition into the beginning of the next scene. Longer scenes are needed for major events and shorter scenes for less significant actions. Scene by scene, build your story and make it sparkle. 

Call for Submissions for Young Writers:

Starsongs Magazine. You are the future, and Starsongs wants to hear your voice. Our intention is to inspire and promote the creativity of youth. Starsongs is a general market magazine interested in work by writers, artists, and photographers ages 9-19. Please keep this age range in mind and focus your work to a PG rating level. We are open to fiction or non-fiction and “as told to” stories.

Submission guidelines at http://kidspublished.blogspot.com/p/starsongs-guidelines.html

Call for Submissions for Adult Writers:

Youth Imagination is interested in creative fiction stories by teens as well as by adult authors. Make the stories awesome, inspiring and engaging. Our goal is to publish the best writing for and by teens. We particularly love stories exploring the issues, such as bullying, drugs, romance, school, parental issues, teacher issues, etc., as well as about the grit and character of teens and young adults.

We accept most genres of fiction, including modern, urban or classical fantasy, as well as sci-fi, slipstream, literary, action-adventure or suspense.

Submission guidelines at http://www.youthimagination.org/index.php/submission-guidelines

Writing a Middle Grade Novel/Calls for Submissions

This week, I’m continuing my focus on scenes. 

The character must continue to make decisions, to choose among several options. Reacting and failing allow the character to learn and to become proactive in solving his/her problems. Eventually the character will make some good decisions as s/he overcomes the odds and wins. The decision must be logical and stay true to the character, a decision the reader will respect. The risk can be great, and should be, to keep the reader’s interest high. Setbacks and failures create tension and suspense. 

Convey specific details of the surroundings to set the tone. If the scene needs to produce fear and it is at night, use night sounds and visuals, plus other senses to feed the fright factor. Do shadows creep under lighting? Did something snap? Does the character smell smoke? Could the building be burning?  

Use the setting to reflect the character’s feelings. If the character is sad, do the buildings look rundown and gloomy, does the moan of an animal sound the way the character feels?  

Every scene does not need monumental action and an extremely agitated state of mind for the character, but each scene should show the character and his/her emotional state. 

Linking strong scenes together makes a believable, dramatic story that keeps the audience turning the pages.  

Call for Submissions for Young Writers:

Storybird. Write. Your words. Our art. Amazing stories. Simple tools help you build books in minutes. Let the art inspire and surprise you as you write. Readers will encourage you along the way.

Submission guidelines at http://storybird.com/

Call for Submissions for Adult Writers:

Harness Anthologies 2015

Publication Date: January 2015. Payment: Two Copies.
Solstice: A Winter Antholog. Winter vacation, snow cream, snow days from school, building snowmen, snowball fights, snow storms, the first time you or your child saw snow. Give us your best white memory! All things winter and snow related. Fiction or nonfiction accepted. Also accepting original winter poems and winter recipes.
Stories should be 750 to 2500 words.
Poems and recipes should be limited to one page.

Open to Submissions: September 2014
Please do not use headers or footers/page numbers in your ms. Please use TNR or similar basic font, size 12.

Submission guidelines: Send as a Word doc in an attachment to harnessantho@rockinghorsepublishing.com

Writing a Middle Grade Novel, Calls for Submissions

Today, I’m continuing the series, Writing a Middle Grade Novel, focusing on pacing. 

Another way to keep the pace of the story moving along is look at the scene as if you’re a photographer. Think visually. What is happening close-up? Take the reader on the journey so s/he can feel, see, hear, taste, and touch the scene. Is there a tear in the dress, is the whimpering that of a dog or a child, or is the burr sticky? Let the readers discover these things as if they were there. 

Pacing differs with the scene. Long sentences tend to slow the pace and short sentences speed the action. If there is a fight scene, short sentences, even one-word can be powerful. Pow! Onomatopoeia (crash, bang, boom) add zip to the story. Sentences can be shortened by eliminating prepositional phrases to move the action along at a faster clip. Instead of writing “the rooms in the cave” state "the cave’s rooms.” 

Action verbs and strong nouns work better because they are specific. Avoid the overuse of adverbs and adjectives. He ran quickly doesn’t work as well as He sprinted.

Cliffhangers are great devices to speed up the action. When a chapter ends with lots of suspense, the reader quickly turns the page to find out what happens next. 

Short chapters and scenes are effective ways to speed up the story. 

Slow scenes and fast-paced scenes both work well. The key is to use the best speed and rhythm for each scene in your manuscript. 

With this blog I’m resuming Call for Submissions for Young Writers. I’ll continue posting these through May, 2015.  

Call for Submissions for Young Writers:

The Louisville Review. The Children's Corner, work by students in K-12.

Fiction, Poetry, Creative Nonfiction, and Drama

Submissions of previously unpublished manuscripts are invited. Prose submissions should be double-spaced and page numbered. Poetry (up to 5 poems) need not be double-spaced. Drama should appear in standard format. Include name on every page. Reply time is 4-6 months. Our editorial staff reads year around. Submissions are recycled. Poetry and prose should be submitted in separate envelopes.

Submission guidelines at http://www.louisvillereview.org/

Call for Submissions for Adult Writers:

ASK is a nonfiction magazine for children 7-10 years old who are curious about science and the world they live in. Each edition of ASK is built around a central theme on some question or concept in the natural, physical, or social sciences, technology, mathematics, history, or the arts. ASK introduces kids to the joys of thinking, writing, and observing scientifically, and presumes them to be active participants in the ongoing search for better knowledge about the world.

ASK articles should read as engaging nonfiction, not like school textbook or encyclopedia material. Intended to be accessible and appealing to newly independent readers (grades 2-5), the ideal ASK article should also be interesting to any general adult reader. ASK looks for articles that are concrete, specific, and relevant to this age group. They should tell a good story, with an emphasis on ideas rather than just facts.

Submission guidelines:

http://www.cricketmag.com/19-Submission-Guidelines-for-ASK-magazine-for-children-ages-7-10